Renaud Capuçon en concert à Genève... et Brahms dans tout cela ?

By Thomas Muller, 29 September 2015

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“Peu à peu, la lecture révèle un manque de rugosité et d’âpreté.”

Reviewed at Victoria Hall, Geneva on 28 September 2015

Brahms, Violin Sonata no. 1 in G major, Op.78

Brahms, Violin Sonata no. 2 in A major, Op.100

Brahms, Violin Sonata no. 3 in D minor, Op.108

Renaud Capuçon, Violin

Nicholas Angelich, Piano

A musical potpourri from Martha Argerich and friends in Hamburg

Edward Sava-Segal, 23rd June

Gérard Caussé and Nicholas Angelich impress in Brahms, while Mischa Maisky joins Martha Argerich in Shostakovich.

****1

Jaap van Zweden welcomed back in Antwerp

Zoltán Szabó, 12th February

The Dutch conductor returns to his old orchestra for a concert stream of Beethoven, with Nicholas Angelich, and Tchaikovsky.

****1

Radiant Tabakova and breezy Beethoven from Aurora Orchestra

Nahoko Gotoh, 8th February

A month into the year-long "Nature Unwrapped" programme at Kings Place, it was the turn of its resident Aurora Orchestra to contribute to the series.

****1

Beautiful poise: Capuçon, Moreau and Angelich alight in Tsinandali

James Imam, 10th September

Festivals and academies breed familiarity and mutual compassion between audiences and returning artists. Yet the warmly informal feel of this concert owed mostly to the close relationships between the musicians themselves.

****1

Argerich, Dutoit and Russian revelry in Hamburg

Alexander Hall, 28th June

Argerich is predictably a force of nature in Tchaikovsky and Dutoit shows his mettle in Ravel and Stravinsky.

****1

Argerich, Capuçon and friends close the Aix Easter Festival

Mark Valencia, 8th April

Daniel Barenboim's absence may have confounded the all-Debussy programme but it left the Aix audience with a beautifully balanced recital.

*****

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Thomas Muller

Podologue spécialisé en Education Thérapeutique du Patient et Diabétologie, chanteur, administrateur de choeur, fondateur d'orchestre et ancien hautboïste amateur, Thomas est passionné de musique et particulièrement vocale. Toujours sensible aux timbres des orchestres et de la capacité des musiciens de développer un chant musical qui provoque chez l'auditeur une émotion vraie, en dehors de tout intellectualisme.