La musique au bord du silence : The Conductor de McNeill

By Roland Duclos, 06 March 2018

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“une puissance dépouillée, un ascétisme presque intimidant”

Reviewed at Comédie de Clermont-Scène nationale, Clermont-Ferrand on 3 March 2018

Jared McNeill, The Conductor

Works by Shostakovich

Daniel Wallington, Piano

Joe Skelton, Actor

Deborah Wastell, Actor

Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

****1

Tharaud and Queyras celebrate 30 years together in Paris

David Karlin, 14th April

Crisp and elegant cello and piano playing is more successful in French and early repertoire than in Brahms.

****1

Poetry and Precision: Seong-Jin Cho returns to Carnegie Hall

Susan Stempleski, 12th April

A little over a year after his marathon all-Ravel recital at the Hall, the Korean pianist returns with an exquisitely performed program of Bach, Schoenberg, Robert Schumann, and Chopin.

*****

Marianne Crebassa: potent and versatile at Leeds Song

Richard Wilcocks, 12th April

Accompanied by Joseph Middleton, Marianne Crebassa performs an exquisite recital of Debussy, Mahler, Mompou and Ravel.

*****

Eroica: Riccardo Minasi and the WASO

Sandra Bowdler, 11th April

Guest conductor Riccardo Minasi leads the West Australian Symphony Orchestra with a program of old favourites, with outstanding contribution from trumpeter Jenna Smith

***11

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

More reviews...

Roland Duclos

Longtemps journaliste dans le Groupe La Montagne Centre-France et plus spécialement attaché au domaine culturel dans toute sa diversité. Avec une forte propension vers la musique classique. Avec la conviction héritée de Bourdieu que tous les arts ne font qu'un pour l'émancipation de l'individu, l'épanouissement de son sens critique et la liberté d'expression sans restriction aucune.

La musique au bord du silence : The Conductor de McNeill à la Comédie de Clermont-Scène nationale