Birmingham Royal Ballet’s Jonathan Payn talks about The Green Table by Kurt Jooss, first performed in Paris in 1932 – and how choreography can respond to political collapse and the threat of war.
Amanda Britton, Artistic Director of Rambert School, talks about an exchange and collaboration between the Rambert School and Juilliard to create a new work by Wayne McGregor, a unique project.
We sit down with Ballet Black’s artistic director Cassa Pancho and dancers Isabela Coracy and Ebony Thomas, to discover the challenges and achievements of the company’s first 25 years.
A century after its founding in 1926, former members of Ballet Rambert recall the joys and challenges of working directly with Dame Marie Rambert, one of the trailblazers of British ballet.
Christine Holley’s long involvement in contemporary dance and flamenco includes teaching, performance and choreography – elements that permeate her work as a visual artist. Her specialist subject is Ballets Russes and its impact on visual arts, her writing on which is held in the National Library of Art at London’s V&A Museum and by other major arts organisations.
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