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Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score.
Anna Maria della Pietà may not be the most celebrated violinists in history, but she inspired Antonio Vivaldi to write some of his finest concertos, two of which were heard in this tribute to three of the Red Priest's muses.
Ahead of productions of Katya Kabanova opening shortly in the UK at the Royal Opera, Opera North and Scottish Opera, the three sopranos taking on the title role examine the opera.
Maurice Ravel met Jean Sibelius at the Royal Festival Hall for a programme to which each composer contributed a waltz, but the musical terrain was anything but a level playing field.
The distinguished baritone recalls his Lieder training, how his interpretations have developed and what his operatic work has brought to the concert platform.
During rehearsals for his production of The Queen of Spades at the Royal Opera, Norwegian director Stefan Herheim reflects on his art, his frustrations with the industry and his impending move to Vienna.
