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Kevin Wells was bitten by the opera bug at 10, having heard a 1936 recording of Jussi Björling singing “Che gelida manina”. He has never been the same since. A student of voice, performance practice, the history of singing and opera, he holds advanced degrees in Italian and has lived and worked in Italy off and on since the 70s. La Scala became a second home as the Met had been during college daze. Now in his native Boston, he works as translator, tutor, and language coach, haunts Symphony Hall, and would haunt the Opera House had it not been demolished in 1958!
After Helen Grimes makes her Symphony Hall debut, Johannes Moser is the soloist in William Walton's Cello Concerto, before Maurice Duruflé's Requiem comes as welcome consolation.
Yu-An Chang and the Boston Symphony Orchestra premiere Chihchun Chi-sun Lee's commission and Till Fellner offers a lucid, elegant classical interpretation of Mozart.
The Boston Symphony Orchestra under the baton of Andris Nelsons opens its 139th season with Poulenc, Beethoven and a world premiere of Eric Nathan's Concerto for Orchestra.
The Boston Early Music Festival Orchestra led by Robert Mealy, with soprano Emőke Baráth and dancers Caroline Copeland and Pierre-François Dollé, showcase Rameau's vitality and originality.
