Melden Sie sich an, um Benachrichtigungen zu erhalten, um Ihren persönlichen Kalender und Ihre Wunschliste zu verwenden, um Ihre kürzlichen Sucheingaben zu speichern, Artikel oder Rezensionen zu kommentieren oder um Veranstaltungen einzutragen.
Mark is a Chartered Secretary with a background in financial services and corporate administration. He currently works as a company secretary and has a Bachelor's degree in financial services and a Master's degree in finance and administration. His passion and enthusiasm for classical music started at an early age, with an initial keen interest in orchestral and chamber music which has since expanded to cover most genres across all periods. He plays viola and violin, and used to sing a little.
An intriguing programme and incisive playing from Igor Levit and Markus Becker as they examine Beethoven and Brahms from a fresh angle, and exceptional Bartók.
Clarity and colour from Alexandre Bloch and the Orchestre National de Lille in Debussy and Ravel, with an elegant and majestic Beethoven’s Fourth Piano Concerto from Eric Lu.
Philippe Herreweghe reveals a crisp and precise Philharmonia in Schubert’s Fifth Symphony as Thomas Zehetmair provides reflection and breadth in Beethoven’s Violin Concerto.
A dynamic and dreamy concoction from the London Philharmonic under Lawrence Renes, with impeccable performances from harp virtuoso Xavier de Maistre and LPO Principal Flute Juliette Bausor.
Truls Mørk was cultured and intense in Dvořák’s Cello Concerto while Sir John Eliot Gardiner took the LSO through its paces in Suk’s emotional beast of a symphony.
Richard Tognetti’s absorbing programme mixed Bach’s Goldberg Variations with Stravinsky and Adès, played impressively and with characteristic exuberance and finesse by the Australian Chamber Orchestra.
An emotional night in London as Bernard Haitink says farewell to London with grand and searching performances of Bruckner and Beethoven, with the distinguished Emanuel Ax in tow.
There was vibrancy and subtlety in these cultured performances of Schubert and Lutosławski, with Martha Argerich still showing how it’s done with ‘that’ Tchaikovsky concerto.
Wellber may have lots planned for the BBC Philharmonic over the coming years, but this exciting programme showed that he didn’t want to waste any time delivering.
Sir Roger Norrington and a strong cast joined a Baroque-style London Philharmonic Orchestra in a highly accomplished Dido and Aeneas, preceded by Handel’s clean and stately Water Music.
Long Yu certainly didn’t rest on his laurels as he powered through Tchaikovsky’s Fifth Symphony, while Jian Wang introduced subtlety and deftness in the Rococo Variations.
Dvořák’s Slavonic Dances were a treat and Simon Trpčeski was characteristically glistening in Shostakovich, but the surprise package turned out to be a rarely heard work by Kabeláč.
Colour and light from Ludovic Morlot and the CBSO in Debussy and Ravel, but it was the power and depth of Lili Boulanger’s Psalm 130 that shone the brightest.
An intriguing programme of Britten, Walton, Barber and Copland provided dynamism, evocative imagery and new discoveries in Juanjo Mena’s valedictory concert with the BBC Philharmonic.
Miloš Karadaglić provides atmosphere and virtuosity in Joby Talbot’s newest work, while Alexander Vedernikov and the BBC Symphony Orchestra give Russian flourishes in Glinka and Tchaikovsky.
Classy performances from Leonidas Kavakos and Ying Fang, joining Christoph Eschenbach and the Verbier Festival Orchestra in a polished Berg Violin Concerto and a sublime Mahler 4.
Ilya Gringolts and Maxim Vengerov gave world-class performances of landmark pieces by Bach and Bartók, with a generous sprinkling of Prokofiev and Wieniawski giving extra sparkle.
In a passionate and evocative programme, South Korean pianist Seong-Jin Cho shows that his interpretive skills can start to blossom beyond mere technical prowess.
