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David is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.
At least on the surface, Sweden's response to the Covid-19 pandemic has been very different from other countries. The CEO of Stockholm Concert Hall and the Royal Stockholm Philharmonic Orchestra tells us how things are progressing there.
The head of one of the world's leading Artist Management companies is optimistic about the post-pandemic world, but worried by the apparent lack of understanding in governments in the UK and elsewhere.
The CEO of a major international touring orchestra reflects on its conductors, discusses how to deal with orchestral life in the pandemic and looks forward to the coming season.
Meyerbeer's tale of the Anabaptist rebellion in the 16th-century religious wars proves to be a powerful thriller, with Clémentine Margaine and Gregory Kunde leading a very strong singing cast.
An outstanding role debut from Davidsen, a star-studded vocal cast and a revelatory orchestral performance make a Beethoven anniversary performance to savour.
Von Sternerestaurants bis zu bescheidenen Lokalen mit Bier und Würstel und alles dazwischen; wir sagen Ihnen, wo Sie in der tschechischen Hauptstadt essen müssen.
Die Deutsche Oper Berlin bringt drei Meyerbeer-Opern in drei Tagen auf die Bühne. Wir sprechen mit Enrique Mazzola über den Komponisten, sein Werk und diese Vorstellungen.
With fabulous solo singing from Pavol Breslik and Elsa Dreisig, Beethoven's only oratorio Christ on the Mount of Olives turns out to be a gem. Sadly, the Berg Violin Concerto misses the mark.
Jiři Herman’s staging is authentically Japanese and focuses on the deliberate injustice of Butterfly's treatment, with strong performances in the lead roles.
The Czech Phil's woodwind are in superb form for a particularly optimistic concert featuring Berio's mercurial Rendering to give us a double dose of Schubert's unfinished symphonic work.
