Artikel von Cameron Kelsall

We speak to the Polish musical duo about their experience studying at the Teatr Wielki Akademia Operowa in Warsaw and their current and future projects.

The concert served as a formal introduction to Philippe Tondre, who became the orchestra's principal oboe during the pandemic.

At The Philadelphia Orchestra, classical and contemporary depictions of the natural world overshadow a set of Strauss songs performed by Pretty Yende.

The season's first subscription concert celebrated the broad diversity of American music, focusing on composers and artists often excluded from concert halls in the past.

Conductor Yannick Nézet-Séguin and soloist Yo-Yo Ma stuck to the tried and true while ushering in a season "transformed and informed" by the pandemic's impact.

We spoke to French musicians David Salmon and Manuel Vieillard about their win and what's next in store.

As a theater critic, I’m prioritizing coverage of events that require Covid vaccination for all.

Stripped of melodramatic excess, soprano Patricia Racette and director James Darrah craft a portrait of a desperate, lonely woman that is uncomfortably, thrillingly human.

The program prominently featured compositions by Canadian composer Claude Vivier alongside works of Haydn and Busoni.

Das diesjährige Festival steht unter dem Motto Liebe und bietet die Möglichkeit, sich mit Musikern und anderen Musikliebhabern auszutauschen, was nach der langen erzwungenen Trennung durch die Pandemie dringend notwendig ist.

Intrepid chamber musicians braved wild weather to deliver a stirring performance of Schubert's String Quintet in C major, alongside early works from Prokofiev and Debussy.

In place of a full musical, this revue highlighted classic and contemporary songs that celebrate places and cultures, although some selections seemed questionable out of context.

Soprano Alexandra Shiner displays extraordinary vocal promise and stage presence across a host of Wagner's great female roles.

Rising mezzo-soprano Raehann Bryce-Davis offers a gorgeously sung and grippingly acted portrait of Verdi's gypsy. 

Set in New Orleans during the Jazz Age, this riff on Offenbach's La Périchole captures the festive spirit of the summer, despite some tired jokes.

The elegance of the First Symphony served as a perfect curtain raiser for the mammoth, exultant Ninth.

A collaborative performance of Mozart's Sonata for two pianos was not broadcast, but Pires stanched any disappoint by offering refined interpretations of Schubert.

The towering Fifth Symphony was cohesive and unusually refined, while Peter Mattei brought elegance and passion to Kindertotenlieder.

We report from the Concours musical international de Montréal, which this year was more international than ever before.

The composer-in-residence at Bergen International Festival has been more productive than ever during the pandemic. She tells us how.