Unsere Datenschutzrichtlinien wurden am Montag 24 Juni 2019 aktualisiertMehr InformationenOK
Anmelden
Bachtrack logo
Home
Termine
Kritiken
Artikel
Video
Seite
Startseite Oper
TermineKritikenArtikel

Turandot

PlanKartenverkaufWunschliste
NationaltheaterMünchen, Bayern, Deutschland
2020 Januar 28, 31, Februar 03 um 19:00
Darsteller
Bayerische Staatsoper
Giacomo SagripantiDirigent
Carlus PadrissaRegisseur
Roland OlbeterBühnenbild
Chu UrozKostüme
Anna NetrebkoSopranTurandot
Yusif EyvazovTenorDer unbekannte Prinz (Kalaf)
Selene ZanettiSopranLiù
Alexander TsymbalyukBassTimur
Ulrich ReßTenorKaiser Altoum
Boris PrýglBassbaritonPing
Manuel GüntherTenorPang
Galeano SalasTenorPong
Bálint SzabóBassMandarin
Chor der Bayerischen Staatsoper
Bayerisches Staatsorchester

The people are thirsty for blood. Another suitor for the hand of the sovereign is about to be publicly beheaded, because Princess Turandot is determined never to belong to any man. That’s why anyone who wants to marry her must first solve three riddles. Anyone who fails has to pay with his life. An unknown prince, revolted by Turandot’s cruelty, yet attracted by her beauty, takes on this potentially lethal risk – and solves the riddles. But has he awakened the ice-cold, man-murdering sovereign to love and put an end to her barbarity?

Turandot is Giacomo Puccini’s final opera. He died at a point in time when he had come upon a thus far unsolved dramaturgical problem with his composition. The princess was to be the counter draft to the anti-feminism at the fin-de-siècle. But how to depict the transformation of the man-murderer to a loving woman? Puccini left the final love scene between Turandot and Calaf fragmentary.

Januar 2020
MoDiMiDoFrSaSo
30310102030405
06070809101112
13141516171819
20212223242526
27282930310102
03040506070809
Februar 2020
MoDiMiDoFrSaSo
27282930310102
03040506070809
10111213141516
17181920212223
24252627282901
02030405060708
Abendvorstellung
Matinee
Mobile version