Unsere Datenschutzrichtlinien wurden am Montag 24 Juni 2019 aktualisiertMehr InformationenOK
Anmelden
Bachtrack logo
Home
Termine
Kritiken
Artikel
Video
Seite
Startseite Oper
TermineKritikenArtikel

Isis, LWV54In concert

PlanKartenverkaufWunschliste
Château de Versailles: Royal Opera HousePlace d’Armes Entrance at the Gate of Honour, Paris, Île-de-France, 78000, Frankreich
Am Dienstag 10 Dezember 2019 um 20:00
Darsteller
Christophe RoussetDirigent
Bénédicte TauranSopranFame, Melpomene, Juno, Mycene
Robert GetchellTenorApollo
Ambroisine BréMezzosopranCalliope, Iris
Ève-Maud HubeauxMezzosopranThalia, Isis
Philippe EstèpheBaritonNeptune, Argus
Edwin Crossley-MercerBaritonJupiter, Pan
Aimery LefèvreBassHierax
Fabien HyonBaritonMercury
Les Talens Lyriques
Chœur de chambre de Namur

"The creation of Isis in 1677 before the court triggered strong reactions. The plot features again unfaithful Jupiter, courting the nymph Io and berated by his spouse Juno. The libretto takes the characters into a series of quirky and fantastic adventures, where the god Pan creates his famous flute, Mercury turns Hierax, Io’s fiancé, into a bird and Io descends into Inferno.

The public immediately read it as a caricature of Madame de Montespan’s jealous attitude to Madame de Ludres, the King’s latest favourite. The performances were interrupted and Quinault was exiled for two years.

History remembered the anecdote, depriving the work of the success it deserved. Lully deployed unprecedented refinement, chiseling the musical structures of pieces, using well-known motifs, inventing descriptive techniques – such as “tremblers” to express cold, used later by Purcell, Vivaldi and Salieri – showing a remarkably original verve in the suggestion of emotions and characters."

- Bénédicte Hertz -

Surtitles in French and English

Mobile version