Unsere Datenschutzrichtlinien wurden am Montag 24 Juni 2019 aktualisiertMehr InformationenOK
Anmelden
Bachtrack logo
Home
Termine
Kritiken
Artikel
Video
Seite
Startseite Oper
TermineKritikenArtikel

Aida

PlanKartenverkaufWunschliste
Gran Teatre del LiceuBarcelona, Cataluña, 08002, Spanien
2020 Januar 13, 14, 16, 17, 19 17:00, 20, 22, 23, 27, 28, 30, 31, Februar 01, 02 17:00 (um 20:00, außer angegeben)
Darsteller
Gran Teatre del Liceu
Gustavo GimenoDirigent
Thomas GuthrieRegisseur
Mestres CabanesBühnenbild
Franca SquarciapinoKostüme
Clémentine MargaineMezzosopranAmneris2020 Jan 13, 16, 19, 22, 27, 30, Feb 01
Judit KutasiMezzosopranAmneris2020 Jan 14, 17, 20, 23, 28, 31, Feb 02
Angela MeadeSopranAida2020 Jan 13, 16, 19, 22, 27, 30, Feb 01
Anna PirozziSopranAida2020 Jan 14, 17, 20, 23, 28, 31, Feb 02
Yonghoon LeeTenorRadamès2020 Jan 13, 16, 19, 22, 27, 30, Feb 01
Luciano GanciTenorRadamès2020 Jan 14, 17, 20, 23, 28, 31, Feb 02
Marco VratognaBaritonAmonasro2020 Jan 13, 16, 19, 22, 27, 30, Feb 01
Franco VassalloBaritonAmonasro2020 Jan 14, 17, 20, 23, 28, 31, Feb 02
Berna PerlesSopranPriesterin
Josep FadóTenorein Bote
Angelo SmimmoChoreographie
Orquesta Sinfónica del Gran Teatre del Liceu
Coro del Gran Teatre del Liceu

The historic production with sets by Mestres Cabanes, returns to the Liceu with Pirozzi, Margaine and Meade.

Aida as our parents, grandparents and great-grandparents saw it, set against the hyper-realist scenery designed in 1945 by the Catalan artist from Manresa, Josep Mestres Cabanes. This splendid creation of the great Catalan school of set design emphasizes the grandeur – and also the intimacy – of Verdi's third-before-last opera, remaining true to the historicist tradition without ever lapsing into kitsch.

In his tensely dramatic Aida, the 58-year-old Verdi displays his colossal strength and musical and theatrical savoir-faire to relate the love triangle that causes Aida, Amneris and Radamès to pursue their passion, love and hatred to the very last consequences. The background of Ancient Egypt – the work was written to mark the opening of the Suez Canal – provides the excuse for the grandiose choral and symphonic scenes, which alternate with exquisite arias throughout the extensive score.

The Liceu debut of American soprano Angela Meade.

Mobile version