Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Ungarn
Datum/Zeit in Budapest Zeitzone
| Samstag 22 November 2025 | 11:00 |
| Samstag 22 November 2025 | 18:00 |
| Mittwoch 26 November 2025 | 18:00 |
| Donnerstag 27 November 2025 | 18:00 |
| Mittwoch 03 Dezember 2025 | 18:00 |
| Mittwoch 10 Dezember 2025 | 18:00 |
| Freitag 19 Dezember 2025 | 19:00 |
Programm
| Mozart, Wolfgang Amadeus (1756-1791) | Die Zauberflöte | Libretto von Emanuel Schikaneder |
Darsteller
| Hungarian State Opera | ||
| Péter Halász | Musikalische Leitung | |
| Miklós Szinetár | Regie | |
| Péter Horgas | Bühnenbild | |
| Rita Velich | Kostüme | |
| Hungarian State Opera Orchestra | ||
| András Nádasdy | Choreographie | |
| Hungarian State Opera Chorus | ||
| Gábor Csiki | Chorleitung | |
| Hungarian State Opera Children's Chorus | ||
| Nikolett Hajzer | Chorleitung | |
| Istvan Horvath | Tenor | Tamino |
| Gergely Ujvári | Tenor | Tamino |
| Polina Pasztircsák | Sopran | Pamina |
| Zita Szemere | Sopran | Pamina |
| Lőrincz Judit | Sopran | Königin der Nacht |
| Regina Koncz | Sopran | Königin der Nacht |
| Csaba Sándor | Bassbariton | Papageno |
| István Kovács | Bass | Sarastro, Erster Priester, Zweiter Geharnischter |
| András Palerdi | Bass | Sarastro, Erster Priester, Zweiter Geharnischter |
| Péter Fried | Bass | Sarastro |
| Natália Tuznik | Sopran | Erste Dame |
| Zsófia Kálnay | Mezzosopran | Zweite Dame |
| Anna Csenge Fürjes | Mezzosopran | Dritte Dame |
| Eszter Zemlényi | Sopran | Papagena |
| Anija Lombard | Sopran | Papagena |
| Attila Erdős | Bass | Monostatos |
| Tibor Szappanos | Tenor | Zweiter Priester, Erster Geharnischter |
The combination of Mozart's marvellous music and Schikaneder's coming-of-age storyline has something to tell us at every stage of life. No matter if you are discovering or rediscovering the work as a young lover, a parent, or with the wisdom of old age, this blend of the ethereal and riveting entertainment is always thrilling to watch. Miklós Szinetár's production is suffused with the opera's rich world of symbolism, with the sun always rising at the end.
