| Mittwoch 26 November 2025 | 20:00 |
| Zimmer, Hans (b. 1957) | Film music from The Da Vinci Code (Chevaliers De Sangreal) | |
| Zimmer, Hans (b. 1957) | Interstellar (Cornfield Chase) | |
| Badelt, Klaus (b. 1967) | Film music from Pirates of the Caribbean | |
| Menken, Alan | The Bells of Notre Dame | |
| Gounod, Charles (1818-1893) | Ave Maria | |
| Britten, Benjamin (1913-1976) | Peter Grimes, Op. 33a: Vier Sea Interludes (arr. Anna Lapwood) (I & II)) | |
| Duruflé, Maurice (1902-1986) | Prelude et Fugue sur le nom d'Alain, Op.7 | |
| Belli, Olivia | Lumina Luminis |
| Anna Lapwood | Orgel |
Film music on the concert organ, how does that work together? Anna Lapwood herself says: "In recent years, I have increasingly stopped defining music by genres, and started thinking about what music brings joy to me and my listeners. The boundaries between genres are so flexible anyway, and it's really fun to experiment with blurring these boundaries even more." You can feel this joy in this concert as well, when she plays her transcriptions from the films "The Da Vinci Code," "Interstellar," and "Pirates of the Caribbean" (Hans Zimmer) and "The Hunchback of Notre Dame" (Alan Menken). In addition, classics such as the famous Prelude by Johann Sebastian Bach, which was turned into "Ave Maria" by Charles Gounod, and Benjamin Britten's "Four Sea Interludes" from the opera "Peter Grimes" can be heard, as well as new works written for Anna Lapwood.
