Un Wagner minimaliste, pour une quintessence du drame romantique

Von Arnaud Saura-Ziegelmeyer, 01 Dezember 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Pour nous, à l’instar du finale, la lumière sauve le reste de la mise en scène.”

Rezensierte Veranstaltung: Teatro Costanzi, Teatro dell'Opera, Rome, am 27 November 2016

Wagner, Tristan und Isolde

Teatro dell'Opera di Roma

Daniele Gatti, Musikalische Leitung

Pierre Audi, Regie

Christof Hetzer, Bühnenbild, Kostüme

Andreas Schager, Tristan

Rachel Nicholls, Isolde

John Relyea, König Marke

Diogenes Randes, König Marke

Brett Polegato, Kurwenal

Michelle Breedt, Brangäne

Andrew Rees, Melot

Gregory Bonfatti, Hirte

Rainer Trost, Junger Seemann

Gianfranco Montresor, Steuermann

Coro del Teatro dell'Opera di Roma

Orchestra del Teatro dell'Opera di Roma

Ariadne in Rome: David Hermann’s Strauss staging highlights contrasts

Pia Maltri, 1st March

In an opera rarely staged in Italy, David Hermann skilfully masters the metatheatrical challenges posed by the libretto to Ariadne auf Naxos.

****1

Abandon all hope: Lucia Ronchetti's Inferno receives Italian premiere

Pia Maltri, 19th February

The Italian premiere of Lucia Ronchetti’s Inferno at the Teatro dell’Opera di Roma uses Dante’s original verses, but her score fails to match their beauty.

***11

Livermore’s successful Bohème opens at the Teatro dell'Opera di Roma

Pia Maltri, 14th January

Originally staged at the Caracalla Baths in 2014, Davide Livermore’s production comes in from the cold.

****1

Wagner’s Lohengrin finally returns – swanless – to Rome

Pia Maltri, 27th November

Damiano Michieletto is entrusted with the first staging of Lohengrin in Rome for 50 years, but his distracting staging is redeemed by the musical side of things.

***11

Peter Sellars directs Italian debut of Kaija Saariaho’s Adriana Mater

Pia Maltri, 11th October

This co-production, previously seen in San Francisco, is more of a semi-staging, convinces thanks to committed performances from a cast led by Fleur Barron.

****1

Deborah Warner directs a memorable Turn of the Screw in Rome

Pia Maltri, 19th September

Following her Billy Budd and Peter Grimes, Deborah Warner directs a third Britten opera at the Teatro Costanzi.

****1

Weitere Kritiken...

Arnaud Saura-Ziegelmeyer

Maître de conférences en histoire ancienne à l'Institut Catholique de Toulouse, Arnaud enseigne également à l'Université Toulouse II et à l'Institut National Universitaire d'Albi. Passionné de musique, violoniste et pianiste, il a poursuivi en parallèle de ses études en histoire un cursus au Conservatoire de Toulouse et y a obtenu plusieurs prix. Ses recherches portent sur l’histoire des religions antiques et notamment sur l’utilisation de la musique dans le cadre des cultes polythéistes.