Nelsons präsentiert mit den Bostonern eine hinreißende Vierte Schostakowitschs. Als Kontrast vorab interpretiert Baiba Skride die selten gespielte Serenade von Bernstein.
David Aldens Neuinszenierung am Royal Opera House, die ans faschistische Deutschland anspielt, ist eintönig, aber es gibt musikalische Entschädigungen.
18 Jahre sind vergangen, seit das Boston Symphony Orchestra das letzte Mal in München gastierte. Nun präsentiert unter der Leitung von Chefdirigent Andris Nelsons ein außergewöhnlich farbenreiches Programm.
Schnelle Tempi, perlende Klänge sowie pathetische Gefühlsausbrüche hatten Andris Nelsons, Jean-Yves Thibaudet und das Concertgebouw Orchestra in Essen im Gepäck.
Lang Lang spielte Tschaikowskis Erstes Klavierkonzert mit dem Symphonieorchester des Bayerischen Rundfunks. Der Star des Abends war aber eindeutig Dirigent Andris Nelsons.
Klaus Florian Vogts erstaunliches Portrait des Schwanenritters entwickelt und vertieft sich weiter im einst berüchtigten "Ratten"-Lohengrin in Bayreuth an einem brillanten, geradezu perfekten Abend
Wunderkind Russian piano virtuosi are no novelty in European concert halls. Artistic seriousness and subtle interpretive skill are a harder sell. Daniil Trifonov, a pianist with intelligent and original interpretations that belie a maturity beyond his tender years, closed his season-long residency at the Berlin Philharmonic with a performance of Scriabin's rarely performed piano concerto.
Ibermúsica cierra su temporada con la presencia de la Gewandhausorchester Leipzig y Andris Nelsons a la batuta para ofrecer la Sinfonía núm. 5 de Bruckner.
In its chamber music textures, Shostakovich's 15th couldn’t provide greater contrast to Rachmaninov’s rainforest of notes in this Slavic double bill from Andris Nelsons and the Boston Symphony.
Sous la direction d'Andris Nelsons, le Gewandhausorchester de Leipzig se produisait à la Philharmonie de Paris dans un répertoire entièrement symphonique. Une démonstration orchestrale.
In Germany, the Christmas Oratorio is performed with the same frequency during the holiday season as Messiah in English-speaking countries. In Boston, the BSO gives its first performance!
The new Kapellmeister of the Leipzig Gewandhausorchester leads a passionate rendering of Mahler 5, while Håkan Hardenberger gives a masterclass in trumpet colour.
Un des meilleurs orchestres américains, la fougue toujours plus maîtrisée d'un des chefs les plus appréciés du public parisien, et l'impeccable Susan Graham, dans la Troisième Symphonie de Mahler à la Philharmonie de Paris.
Mahler for beginners? Andris Nelsons and the Boston Symphony Orchestra provide exemplary clarity and understanding of structure, but don't hit one in the chest in the way the Third can.
Playing Mahler’s Third Symphony was also meant to be an homage to Leonard Bernstein, one of the great interpreters of Mahler’s music, born 100 years ago this week.
Under Andris Nelsons' baton, the musical canvas was remarkably supple with proper light shed on Puccini’s melodic inventiveness and wondrous orchestration.
La Gewandhaus Orchester y su recién incorporado director Andris Nelsons han cerrado la temporada de Ibermúsica con un sublime concierto en el que ofecieron un Mozart pletórico y un profundo Tchaikovsky poniendo fin a un curso musical encomiable.
Si en anteriores reseñas nos hemos hecho eco de ilustres visitas, hoy no podemos menos que celebrar la presencia de la Gewandhausorchester de Leipzig. Con Andris Nelsons al frente, ofrecieron el Concierto Emperador en las manos de Yefim Bronfman y la Cuarta sinfonía de Brahms.
At Carnegie Hall Jean-Yves Thibaudet successfully brought forward the mercurial character of Bernstein's music, while Andris Nelsons highlighted details in Shostakovich.
Andris Nelsons' Mozart–Shostakovich pairing allowed the Boston Symphony winds to take the spotlight in the first half, leaving the strings and limited percussion to their task in the second.
Mahler had Walter, Mitropoulos and, most importantly, Bernstein to champion him in the US. Bruckner was never as fortunate... until now. When Andris Nelsons succeeded James Levine as Music Director of the Boston Symphony, he specifically mentioned Bruckner as a composer he would program regularly, in marked contrast to his predecessor’s antipathy.
In the recently refurbished Suntory Hall, looking remarkably fresh with a newly refitted wooden stage, the Boston Symphony sounded elegant and sumptuous.
