Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin

Von Isabella Steppan, 25 April 2021

Laden, bitte warten...

“auch wenn die Vorstellung keineswegs perfekt war... zauberte sie mir ein Lächeln ins Gesicht”

Rezensierte Veranstaltung: Teatro Regio di Torino, Turin, am 22 April 2021

Donizetti, L'elisir d'amore

Teatro Regio di Torino

Stefano Montanari, Musikalische Leitung

Fabio Sparvoli, Regie

Saverio Santoliquido, Bühnenbild

Alessandra Torella, Kostüme

Andrea Anfossi, Licht

Mariangela Sicilia, Adina

Bogdan Volkov, Nemorino

Giorgio Caoduro, Belcore

Marco Filippo Romano, Dulcamara

Ashley Milanese, Giannetta

Coro del Teatro Regio di Torino

Orchestra del Teatro Regio di Torino

Riccardo Muti triumphs with Un ballo in maschera in Turin

Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti.

***11

The Pearl Fishers: Turin opens its operatic season

Renato Verga, 3rd October

The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.

**111

The first modern staged performance of Paër’s Agnese in Turin

Laura Servidei, 17th March

The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.

***11

In Turin's Trovatore, the women carry the day

Renato Verga, 10th October

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

***11

A strong Italian cast for Così fan tutte in Turin

Laura Servidei, 1st July

Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.

****1

On the female condition: two 20th-century operas in Turin

Renato Verga, 16th May

Two different variations of the female conditions: one of 1909 and now utterly out-of-date, the second of 1959 much more ut-to-date.

****1

Weitere Kritiken...

Isabella Steppan

Isabella lebt in Graz und unterrichtet Deutsch und Philosophie/Psychologie. Ihre Freizeit verbringt sie am liebsten in der Oper, in klassischen Konzerten oder im Theater. Ihr Herz schlägt besonders für die Oper des 19. und frühen 20. Jahrhunderts und die Operette. Als @operafangirl ist sie auf Twitter aktiv.