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Performer: Norwegian National Opera Choir

Veranstaltungstippsmehr...

OsloMadama Butterfly

Puccini: Madama Butterfly
Dalia Stasevska; Stephen Langridge; Norwegian National Opera; Alison Chitty; Elisabeth Teige; Henrik Engelsviken

OsloEugene Onegin

Tschaikowsky: Eugen Onegin
Lothar Koenigs; Christof Loy; Norwegian National Opera; Raimund Orfeo Voigt; Herbert Murauer; Audun Iversen; Svetlana Aksenova

OsloDie Meistersinger von Nürnberg

Wagner: Die Meistersinger von Nürnberg
Erik Nielsen; Richard Jones; Norwegian National Opera; Paul Steinberg; Buki Shiff; James Rutherford; Jens-Erik Aasbø

OsloCarmen

Bizet: Carmen
Ariane Matiakh; Calixto Bieito; Norwegian National Opera; Alfons Flores; Mercè Paloma; Ingeborg Gillebo; Alessandra Volpe
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Rossini ex machina: La Cenerentola in Oslo

Anna Goryachova (Cenerentola) und Taylor Stayton (Don Ramiro) © Erik Berg
Bei seinem ersten Ausflug in die Welt Rossinis, verwandelte der norwegische Regisseur Stefan Herheim La Cenerentola in ein brillantes, lustiges Spektakel, gefüllt mit nachdenklich stimmendem Humor und herausragendem Gesang.
*****
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On the waterfront: A Sea Symphony in Oslo

Norwegian National Opera Orchestra © Jörg Wiesner
Ralph Vaughan Williams' towering A Sea Symphony and the orchestra of the Norwegian National Opera and Ballet capped off the Oslo opera season in a singularly loud fashion. 
***11
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Too many doors: Don Giovanni in Oslo

Jakob Bloch Jespersen (Leporello) and Johannes Weisser (Don Giovanni) © Erik Berg
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.
***11
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Maybe it’s make-believe: a curious Norma in Oslo

Hrachuhí Bassénz (Norma) © Erik Berg
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
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A man’s world: Bieito’s Carmen revived in Oslo

Evan Bowers (Don José) and Katarina Bradić (Carmen) © Erik Berg
The revival of Calixto Bieito's Carmen in Oslo proves a bumpy ride, with uneven singing and orchestral playing, saved by Katarina Bradić's captivating portrayal of the title heroine.
***11
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