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ValenciaChamber Orchestra of Europe & Sir Antonio Pappano
Lalo, Dvořák
Chamber Orchestra of Europe; Sir Antonio Pappano; María Dueñas
SevilleChamber Orchestra of Europe
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Lalo, Dvořák
Chamber Orchestra of Europe; Sir Antonio Pappano; María Dueñas
PragueCzech Philharmonic • Antonio Pappano
Dallapiccola, Beethoven
Czech Philharmonic; Simon Halsey; Brian Mulligan; Ángeles Blancas Gulín; Brenden Gunnell; Prague Philharmonic Choir
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Leipziger Wolkenkratzer: Busoni-Klavierkonzert mit Levit im Gewandhaus
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Ferruccio Busonis Klavierkonzert gehört zu den anspruchsvollsten der Konzertliteratur. In Leipzig geben Igor Levit und Sir Antonio Pappano das lange selten gespielte Werk zum Besten.
Vollendet unvollendet: Igor Levit und Sir Antonio Pappano in Frankfurt
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Antonio Pappano geht mit dem Orchestra dell'Accademia Nazionale di Santa Cecilia auf Abschiedstournee.
Einzigartige Treffen: Kammermusik par excellence beim Verbier Festival
Ein unvergesslicher Kammermusikabend auf großer Bühne mit Starbesetzung.
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LondonLSO on Stage: Sibelius' The Oceanides
Sibelius: Aallottaret (Die Okeaniden), symphonische Dichtung für Orchester, Op.73
London Symphony Orchestra; Sir Antonio Pappano
EisenstadtChamber Orchestra of Europe at Esterházy Palace
Lalo, Dvořák
Chamber Orchestra of Europe; Sir Antonio Pappano; María Dueñas
RomeSanta Cecilia: Sciarrino and Bach
Sciarrino, Bach
Orchestra dell'Accademia Nazionale di Santa Cecilia; Sir Antonio Pappano; Barbara Hannigan; Amanda Forbes; Josè Maria Lo Monaco; Paolo Fanale
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The ultimate gig economy: freelance life in the orchestra pit
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Buffetted from symphonies, opera and ballet to West End musicals, film scoring sessions, and maybe even Glastonbury, the life of the freelance musician can be as chaotic as it is thrilling.
Maximum drama: BBC Proms 2024
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The second half of this year’s Proms season heats up with visits from the Czech Philharmonic, Berlin Philharmonic, Orchestre de Paris and Bavarian Radio Symphony Orchestra – along with operas by Bizet and Britten.
A knight at the opera: Sir Antonio Pappano bows out
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As he prepares to leave Covent Garden, Antonio Pappano reflects on his time at the helm of The Royal Opera and the Santa Cecilia, the state of the opera industry and on “reinventing himself” at the LSO.