Asphodel Meadows/ The Two Pigeons, a beautiful pairing of repertoire

Von Graham Watts, 20 Januar 2019

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“Scarlett is well appointed to provide a continuum of the English style to enhance Ashton’s legacy”

Rezensierte Veranstaltung: Royal Opera House, Covent Garden, London, am 19 Januar 2019

Asphodel Meadows (Liam Scarlett)

The Two Pigeons (Ashton) (Louis Mérante, Henry Régnier, Sir Frederick Ashton)

The Royal Ballet

Barry Wordsworth, Musikalische Leitung

Covent Garden Orchester des Royal Opera House

Fumi Kaneko, Tanz

Calvin Richardson, Tanz

Tristan Dyer, Tanz

Mayara Magri, Tanz

Sae Maeda, Tanz

Leo Dixon, Tanz

Reece Clarke, Tanz

Beatriz Stix-Brunell, Tanz

Deutung und Bedeutung: Paradigma am Bayerischen Staatsballett

Rainer Zerbst, 4th January

Ein unvergesslicher Abend, der zeigt, wie unterschiedlich Musik in Tanz aufgehen kann und wie klein der Unterschied zwischen abstraktem Tanz und konkreter Deutung sein kann.

*****

London City Ballet’s Momentum: a scintillating mix of old and new

Amanda Jennings, 13th September

Christopher Marney has once again brought together a group of outstanding dancers, superb coaches and brilliant choreography to produce an evening of thoroughly absorbing dance.

*****

Scarlett’s Frankenstein returns to the San Francisco Ballet stage

Terez Rose, 20th March

Seeing Frankenstein in its 2025 incarnation feels worthy and redemptive. It’s as vivid and cinematic as ballet gets.

****1

Drawing from tradition but not in thrall to it: London City Ballet

Carla Escoda, 17th September

While most in the audience at New York's Joyce Theater might not have known the original London City Ballet, their affection was palpable at the close of this program.

****1

Swan Lake: double debuts at the Royal Ballet

Amanda Jennings, 11th May

Two very impressive debuts in the lead roles of Liam Scarlett's Swan Lake with The Royal Ballet, bodes well for the futures of Mariko Sasaki and Joseph Sissens.

****1

Queensland Ballet's Dream: pretty fairytale or dark drama?

Ruth Ridgway, 12th April

The music shimmers and the dancers shine in this twisted tale, a comic ballet but with dark undertones.

***11

Weitere Kritiken...

Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Asphodel Meadows/ The Two Pigeons, a beautiful pairing of The Royal Ballet repertoire