Unfinished business: Berglund’s Schubert impresses with the Hallé

Tabita Berglund conducts the Hallé

Håvard Gimse, Tabita Berglund and the Hallé

Von Mark Pullinger, 26 März 2023

Laden, bitte warten...

Veranstaltung anzeigen

“a tantalising, elegiac quality, violas and cellos smouldering like embers dying in the grate”

Rezensierte Veranstaltung: The Bridgewater Hall, Manchester, am 26 März 2023

Beethoven, Klavierkonzert Nr. 5 in Es-Dur "Emperor", Op.73

Tabakova, Fantasy Homage to Schubert

Schubert, Symphonie Nr. 7 in h-Moll "Unvollendete", D.759

The Hallé

Tabita Berglund, Musikalische Leitung

Håvard Gimse, Klavier

Spieluhren und Saxophon, Gedichte und Gänse: The Hallé aus Manchester

Michael Klier, 14th January

Jonathan Bloxham dirigiert einen trostvollen Musikgenuss, der die Nachteile eines gestreamten Konzerts über lange Strecken vergessen ließ.

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Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

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Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

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Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

****1

Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

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Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Unfinished business: Tabita Berglund’s Schubert impresses with the Hallé