Glitter and groove with Balanchine in Amsterdam

Von Lambrecht Wessels, 18 September 2019

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Dutch National Opera and Ballet, Amsterdam, am 13 September 2019

Ballet Imperial (George Balanchine)

Symphony in Three Movements (George Balanchine)

Who Cares? (George Balanchine)

Dutch National Ballet

Fayçal Karoui, Musikalische Leitung

Paul Gallis, Bühnenbild

Francois-Noël Cherpin, Kostüme

Barbara Karinska, Kostüme

Maia Makhateli, Tanz

Artur Shesterikov, Tanz

Riho Sakamoto, Tanz

Anna Tsygankova, Tanz

James Stout, Tanz

Edo Wijnen, Tanz

Salome Leverashvili, Tanz

Constantine Allen, Tanz

Igone de Jongh, Tanz

Michael Mouratsch, Klavier

Olga Khozianova, Klavier

Dutch National Ballet Orchestra

Viel Vergangenheit: Liebeslieder am Wiener Staatsballett

Rainer Zerbst, 14th January

Von Brahms und Balanchine bis Górecki und Childs: das Wiener Staatsballet zeigt einen zeitlosen Abend.

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Bachmann, Mahler, Goecke: Tanztraumpremiere am Wiener Staatsballett

Michael Klier, 14th November

Die vier Tänzerinnen und sieben Tänzer zittern, ihre Arme, Schultern und Hände kratzen, flattern und schluchzen in oft eckigem Gestus und doch sind alle Bewegungen im Fluss.

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Spitzengefühl und neoklassischer Ansatz

Katja Vaghi, 4th May

Die neue Premiere des Staatsballetts spannt einen Bogen über die neuere Tanzgeschichte des 20. und 21. Jahrhunderts.

****1

Mira Nadon’s sparkling debut in Firebird with New York City Ballet

Ivy Lin, 25th April

A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.

*****

Ballet for cowboys and soldiers at Kansas City Ballet

Hilary Stroh, 20th March

Kansas City Ballet celebrate the USA’s 250th anniversary with three American ballets. Balanchine's Stars and Stripes, de Mille's Rodeo and a new work by Caili Quan, A Home Away.

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American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

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Weitere Kritiken...

Lambrecht Wessels

Lambrecht Wessels is a conflict analyst, publicist and avid dance fan living in Amsterdam. He writes about modern and classical dance, and follows Dutch National Ballet and the Netherlands Dance Theater especially. But he also visits dance performances in Belgium, the UK and Scandinavia.