Out of the shadows: Mahler’s Seventh from Bychkov and the Czech Phil

Semyon Bychkov and the Czech Philharmonic

Semyon Bychkov and the Czech Philharmonic in Usher Hall

Von Roy Westbrook, 22 August 2022

Laden, bitte warten...

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“this trumpet section would have had cavalrymen leaping into the saddle”

Rezensierte Veranstaltung: Usher Hall, Edinburgh, am 21 August 2022

Mahler, Symphonie Nr. 7 in e-Moll

Czech Philharmonic

Semyon Bychkov, Musikalische Leitung

Aufregender Dvořák mit Bychkov und der Tschechischen Philharmonie

Michael Vieth, 18th March

Ein Abend voll Dvořák – und was kann dazu noch besseres passieren als originale Klangkultur der Tschechischen Philharmonie Prag!

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Mitreißender Schostakowitsch von der Tschechischen Philharmonie

Stefan Pillhofer, 23rd October

Der Elften Symphonie Schostakowitschs in der Elbphilharmonie Schumanns Klavierkonzert a-Moll gegenüberzustellen, war von den Beteiligten eine wunderbare Idee.

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Khatia Buniatishvili spielt mit feiner aber bestimmter Art in Düsseldorf

Christine Arnold, 30th November

Mit viel Elan und Pathos interpretierte die Tschechische Philharmonie Komponisten ihrer Heimat und traten mit Khatia Buniatishvili in Schumanns Klavierkonzert in einen Dialog mit geschmeidigen Fingerspitzengefühl der Solisten.

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Sol Gabetta bares her soul in Elgar on Czech Phil tour

Clare Varney, 23rd April

Semyon Bychkov conducts the Czech Phil on their latest European tour with the music of Elgar and Stravinsky.

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A heartfelt reunion with the Czech Philharmonic in Prague

Frank Kuznik, 19th March

A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum.

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Searing Kindertotenlieder from Fleur Barron and Czech Philharmonic

Gianmarco Segato, 18th February

Fleur Barron delivers a searing Kindertotenlieder in the Czech Philharmonic's mini-survey of the Germanic Romantic repertoire under Semyon Bychkov.

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Weitere Kritiken...

Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.

Out of the shadows: Mahler’s Seventh from Bychkov and the Czech Philharmonic