Bad girls make good opera: Carmen in Kansas City

Ginger Costa-Jackson (Carmen)

Smugglers' chorus

Viktor Antipenko (Don José) and Andrea Carroll (Micaëla)

Act 2 quintet

Von Hilary Stroh, 25 September 2022

Laden, bitte warten...

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“excitement, warning and the waves of terror and reaction necessary as fate plays itself out”

Rezensierte Veranstaltung: Kauffman Center for the Performing Arts, Kansas City, am 24 September 2022

Bizet, Carmen

Lyric Opera of Kansas City

Roberto Kalb, Musikalische Leitung

Anna Maria Bruzzese, Regie, Choreographie

Ginger Costa-Jackson, Carmen

Viktor Antipenko, Don José

Richard Ollarsaba, Escamillo

Andrea Carroll, Micaëla

Krista Renée Pape, Frasquita

Aubrey Odle, Mercédès

Wayd Odle, Le Remendado

Joseph Park, Le Dancaïre

Deep into the American psyche: Carlisle Floyd’s Of Mice and Men

Hilary Stroh, 1st May

Carlisle Floyd's operatic setting of John Steinbeck’s classic novella is given a new production in the composer's centenary year at the Lyric Opera of Kansas City.

****1

Porgy and Bess: Catfish Row arrives in Kansas City

Hilary Stroh, 28th February

Francesca Zambello's magnificent production of the Gershwins’ American epic comes to the Lyric Opera of Kansas City.

****1

Rockabilly meets Rossini: Cinderella at Lyric Opera of Kansas City

Hilary Stroh, 3rd October

Michael Shell's sparkling new production of La Cenerentola, built locally, opens the season at the Lyric Opera Kansas City.

****1

A big and bold Turandot in Kansas City

Hilary Stroh, 2nd May

Lyric Opera of Kansas City ends its season with Garnett Bruce's blockbuster production of Puccini's Turandot.

****1

It’s complicated: Georgia O’Keeffe and Alfred Stieglitz in letters

Hilary Stroh, 27th September

Based on letters between Georgia O’Keeffe and her husband, Alfred Stieglitz, Kevin Puts’ The Brightness of Light at the Lyric Opera of Kansas City portrays marriage as a collaborative work in progress.

****1

Heavy symbolism in Kansas City's Roméo et Juliette

Hilary Stroh, 9th March

A visually captivating and lyrically authentic production by Doug Scholz-Carlson for the Lyric Opera of Kansas City.

****1

Weitere Kritiken...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Bad girls make good opera: Carmen at Lyric Opera of Kansas City