Threesome? Sheep? Le Comte Ory at Dorset Opera

Von Dominic Lowe, 26 Juli 2017

Laden, bitte warten...

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“the men, who clearly threw themselves into their habits with gusto”

Rezensierte Veranstaltung: Coade Theatre, Bryanston, Blandford Forum, am 25 Juli 2017

Rossini, Le Comte Ory

Dorset Opera

José Miguel Esandi, Musikalische Leitung

David Phipps-Davis, Regie

Nico Darmanin, Count Ory

Jennifer France, Countess Adèle

Heather Lowe, Isolier

Szymon Mechliński, Raimbaud

Steven Page, The Tutor

Sarah Pring, Ragonde

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Dorset Opera Festival's bold decision to programme Massenet's obscure opera about a medieval Castilian hero proves to be a major success.

****1

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Dominic Lowe, 25th July

It's not easy to imagine a freezing Parisian attic when you're in the middle of the rolling Dorset countryside in a baking summer, but Dorset Opera's excellent production of Puccini's La bohème is atmospheric enough to do so.

****1

Dorset Opera deals with the devil in Gounod's Faust

Dominic Lowe, 26th July

Dorset Opera's second opera of their season saw a fiendishly good performance from Mark S Doss as Méphistophélès supported by a strong cast in Christopher Cowell's economical production.

****1

Plenty of toil but no trouble in Macbeth

Dominic Lowe, 27th July

Hot on the heels of its Eugene Onegin, full of potential marriages that never reach the altar, Dorset Opera put on an excellent production of an opera with a successful, slick and murderous power couple.

****1

Eugene Onegin at the Dorset Opera Festival

Dominic Lowe, 26th July

Deep in Dorset, Anna Patalong gives a powerful Tatyana, ably supported by a well-taught chorus in an English translation of Tchaikovsky's opera of hearts and friendships broken.

***11

Plenty of toil but no trouble in Macbeth

Dominic Lowe, 27th July

****1

Weitere Kritiken...

Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.