A rib-tickling Le Comte Ory

Von James Imam, 07 Juli 2014

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Veranstaltung anzeigen

“Flórez dispatched fiendish cascades in his firm tenore di grazie with ease”

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 4 Juli 2014

Rossini, Le Comte Ory

Teatro alla Scala

Donato Renzetti, Musikalische Leitung

Laurent Pelly, Regie

Juan Diego Flórez, Count Ory

Colin Lee, Count Ory

Aleksandra Kurzak, Countess Adèle

Pretty Yende, Countess Adèle

Josè Maria Lo Monaco, Isolier

Chiara Amarù, Isolier

Marina de Liso, Ragonde

Stéphane Degout, Raimbaud

Nicola Alaimo, Raimbaud

Roberto Tagliavini, The Tutor

Zwischen Symbolismus und Partyrealität: Salome an der Mailänder Scala

Rainer Zerbst, 20th February

Damiano Michieletto schafft eine Inszenierung, die den Betrachter auch nach Ende der Oper nicht ruhen lässt.

*****

Engel und Dämonen: Giovanna d'Arco an der Scala

David Karlin, 18th December

Verdis Fassung der Jeanne d'Arc-Geschichte mag dünn im Drama sein, doch herausragende musikalische Leistungen von Riccardo Chailly und dem Orcherster der Scala, Netrebko, Meli und Álvarez sorgen für einen wunderbaren Verdi-Abend.

****1

Nucci Respekt einflößend in düsterem Simon Boccanegra der La Scala

James Imam, 31st October

Nuccis Darstellung der Titelrolle in Simon Boccanegra stellte sicher, dass Verdis Drama hell erstrahlte.

****1

Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival

Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.

****1

The Ring returns to the Rhine: Götterdämmerung at La Scala

Laura Servidei, 1st February

Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

Shostakovitch’s Lady Macbeth conquers La Scala on opening night

Laura Servidei, 7th December

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director.

****1

Weitere Kritiken...

James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.

The quotidian and the absurd: La Scala's rib-tickling Le Comte Ory