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Die Fledermaus: WNO's jolly good romp in Birmingham

Von Clive Peacock, 29 Juni 2017
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: Birmingham Hippodrome, Birmingham, am 28 Juni 2017
Programm
Strauß Sohn, Die Fledermaus
Darsteller
Welsh National Opera
Tomáš Hanus, Musikalische Leitung
John Copley, Regie
Deidre Clancy, Kostüme
Mark Stone, Gabriel von Eisenstein
Mary Elizabeth Williams, Rosalinde
Emma Carrington, Prinz Orlofsky
Shaun Dixon, Alfred
Ben McAteer, Dr Falke
Rhian Lois, Adele
Angharad Morgan, Ida
Joe Roche, Dr. Blind
Alan Opie, Frank
Welsh National Opera Chorus
Welsh National Opera Orchestra
Sarah Crisp, Wiederaufnahmeleitung
Weitere Oper Kritiken
Pelléas et Mélisande
Simon Rees, 29th May
Mélisande als Lulu in David Pountneys unbefriedigender Inszenierung von Debussys Pelléas et Mélisande für die Welsh National Opera.
****1
A magnificent Tosca from Welsh National Opera at the Mayflower
David Truslove, 3rd October

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw. 

*****
Bancroft and BBCNOW at the Proms: a deeply satisfying Mahler 3
David Karlin, 11th August
Bancroft and the BBC National Orchestra of Wales provide a Mahler 3 of exceptional clarity and forward momentum, with terrific posthorn solos from Corey Morris and Beth Taylor an outstanding soloist.
****1
A dark and disturbing Rigoletto from WNO at the Mayflower
David Truslove, 14th November

Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery. 

****1
WNO stages Death in Venice for the first time and it’s a triumph
Mark Valencia, 7th March
Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.  
*****
Musical performances keep WNO's new Così afloat
Mark Valencia, 6th March
Max Hoehn takes Così‘s subtitle, La scuola degli amanti (The School for Lovers), and connects it to Monty Python’s sex education sketch in The Meaning of Life. What larks, eh? 
***11
Weitere Kritiken...
Kritiken von
Alan OpieAngharad MorganBen McAteerDie FledermausEmma CarringtonJoe RocheJohann Strauß SohnJohn CopleyMark StoneMary Elizabeth WilliamsRhian LoisSarah CrispShaun DixonTomáš HanusWelsh National OperaWelsh National Opera ChorusWelsh National Opera Orchestra
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Clive Peacock
Clive Peacock
Clive’s musical education began at Bristol Cathedral School and continued at home with a piano and singing teacher mother. During a commercial career, mainly in London with Voluntary Service Overseas and Prudential plc, he developed his love for the works of the great composers in the capital’s concert halls and opera houses. Since his retirement in 2000 he has reviewed for local Midland newspapers covering festivals in Coventry, Warwick, Leamington, Stratford and Longborough and completed a degree at Warwick University. Involvement in local politics, taking morning swims in Kenilworth and maintaining Morgan sports cars are favourite hobbies.