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An esoteric combination opens the aptly named Unusual Istanbul Music Festival

Von Jonathan Sutherland, 31 Mai 2017
Laden, bitte warten...
Veranstaltung anzeigen
Rezensierte Veranstaltung: Lütfi Kırdar International Convention and Exhibition Centre, Istanbul, am 29 Mai 2017
Programm
Balakirew, Orientalische Fantasie, "Islamey", Op.18
Saint-Saëns, Cellokonzert Nr. 1 in a-Moll, Op.33
Tsintsadze, Chonguri for cello solo
Strauss R., Der Rosenkavalier, Op.59: Suite
Darsteller
Borusan Istanbul Philharmonic Orchestra
Sascha Goetzel, Musikalische Leitung
Andrei Ioniţă, Cello
Weitere Konzert Kritiken
Istanbul metropolis in sound: Fazıl Say and Borusan in Hamburg
Mengguang Huang, 1st September
At the Schleswig-Holstein Music Festival, Fazıl Say concluded his residency with the Borusan Istanbul Philharmonic with an evening of jazz, Ravel and his own symphony, capturing the restless energy of an Istanbul-style metropolis.
****1
Borusan Istanbul Philharmonic: spiritually fulfilling Beethoven
Phil Parker, 10th April

That a Turkish orchestra excels in Turkish music is no surprise... but in mainstream Western repertoire too? BIPO and Carlo Tenan charm Sheffield with their fresh take on the classics. 

****1
Carlo Tenan delivers a tempestuous, desperate Mozart Requiem
Simon Cummings, 2nd June
The Borusan Istanbul Philharmonic and Hungarian National Choir give a searing account of Mozart’s Requiem, superbly guided by conductor Carlo Tenan. 
*****
She's got rhythm: Barbara Hannigan in Istanbul
Peter Quantrill, 3rd June
The Borusan Istanbul Philharmonic Orchestra opens the Istanbul Music Festival featuring a showstopping, all-singing, all-conducting Gershwin finale. 
****1
Glass' Eleventh given Turkish première
Alain Matalon, 16th June
Philip Glass' Eleventh Symphony, given its Turkish première at the Istanbul Music Festival, returns to his signature repetitive style. 
****1
A special treat in Istanbul: Penderecki by Penderecki
Rina Altaras, 21st April
The Borusan Istanbul Philharmonic Orchestra had the privilege of playing three works of Krzysztof Penderecki under the composer's own baton.
*****
Weitere Kritiken...
Kritiken von
Andrei IoniţăBorusan Istanbul Philharmonic OrchestraCamille Saint-SaënsCellokonzert Nr. 1 in a-Moll, Op.33Chonguri for cello soloDer Rosenkavalier, Op.59: SuiteMili Alexejewitsch BalakirewOrientalische Fantasie, "Islamey", Op.18Richard StraussSascha GoetzelSulkhan Tsintsadze
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Jonathan Sutherland
Jonathan Sutherland
Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.