Joyce Yang plays Bach, Debussy, Liebermann, Schubert, and Schumann

Von Bachtrack reviewer, 19 Januar 2012

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Bass Performance Hall, Fort Worth, am 17 Januar 2012

Bach, Chromatische Fantasie und Fuge in d-Moll, BWV 903

Debussy, Estampes

Liebermann, 4 Gargoyles, Op.29

Schubert, Impromptu no. 3 in G flat major, D.899

Schumann, Fantasiestücke, Op.12

Joyce Yang, Klavier

Resplendent interpretations by Yang and Falletta with the Buffalo Phil

Phillip Nones, 13th October

JoAnn Falletta demonstrates her customary excellence in colorful orchestral works by Ibert and Respighi, while Joyce Yang hits the mark in capturing the jazz-classical fusion in Gershwin’s Piano Concerto.

****1

An unusual and moving evening in Seattle'

Thomas May, 17th July

The second week of the Seattle Chamber Music Society's 2015 Summer Festival offered up an unusual juxtaposition of instrumental and vocal pieces, with a beautifully somber mood prevailing.

****1

Fate and festivals with the Sydney Symphony Orchestra

Oliver Brett, 15th March

Fate and Festivals was the rather bold title given to the latest Sydney Symphony Orchestra concert at Sydney Opera House in an evening which provided a great showcase for the full orchestra, demonstrating their great virtuosity, versatility and sensitivity as an ensemble.

****1

Music of Central and Eastern Europe: Bartók, Martinů and Dvořák in Dallas

Bachtrack reviewer, 8th December

The Dallas-area series Chamber Music International presented its second program of the season this Friday and Saturday evening. (This review is of the second concert, at St Barnabas Presbyterian Church in Richardson, Texas.

***11

Junge Wilde kamen, spielten und siegten bei den Münchner Symphonikern

Benedikt Zacher, 19th April

Geiger Guido Sant’Anna und Cellist Jaemin Han erobern die Bühne der Isarphilharmonie mit Brahms' Doppelkonzert.

****1

Auferweckt: Gardiners Oster-Bach beim Heidelberger Frühling

Jens Klier, 10th April

Die Jahrzehnte dauernde Rückkehr des Dirigenten nach Heidelberg avanciert zu einem ergreifenden, begeisternden Fest von Botschaft und Musik, mit dem er interpretatorisch weiter in fast eigener Liga spielt.

*****

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Bachtrack reviewer