Korngold and his contemporaries

Von Cameron Kelsall, 18 August 2019

Laden, bitte warten...

“a Zinfandel-dark soprano that, while not ample of volume, is attractive and enveloping”

Rezensierte Veranstaltung: Richard B Fisher Center for the Performing Arts: Sosnoff Theater, Annandale-on-Hudson, am 17 August 2019

Korngold, Symphonie Fis-Dur, Op.40

Korngold, The Passover Psalm, Op.30

Hindemith, Symphonia serena

Strauss R., Vier Letzte Lieder

Marjorie Owens, Sopran

American Symphony Orchestra

Leon Botstein, Musikalische Leitung

Almost rescued from tyranny: Smetena's Dalibor stuns at Bard

Robert Levine, 27th July

Bedřich Smetana’s patriotic opera Dalibor is given a rare outing at Bard College, directed by Jean-Romain Vesperini and conducted by Leon Botstein.

****1

Damning with faint praise: Berlioz at Bard

Cameron Kelsall, 18th August

As part of a festival considering the composer's oeuvre, Leon Botstein leads a concert performance of La Damnation de Faust lacking in French style.

**111

The fat knight sings in Bard Festival's Sir John in Love

Cameron Kelsall, 13th August

A two-week Ralph Vaughan Williams retrospective closed with his gentle, folksy spin on Shakespeare's Merry Wives of Windsor.

***11

Saint-Saëns rarity Henry VIII takes the crown at Bard SummerScape

Cameron Kelsall, 21st July

Conductor Leon Botstein and director Jean-Roumain Vesperini treat this Tudor soap opera with appropriate grandeur, while a top-notch cast deliver the vocal goods.

****1

Strauss' Silent Woman makes a grand noise at Bard

Robert Levine, 24th July

Bard’s always courageous Music Director, Leon Botstein, never one to shy away from a challenge, presents Strauss' comedy uncut.

****1

Chausson's rarely heard Le Roi Arthus well served at Bard

Robert Levine, 25th July

The first fully staged American production of Chausson's sole opera features remarkable singing, fine storytelling and plush orchestral playing.

****1

Weitere Kritiken...

Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Korngold and his contemporaries: an academic evening at Bard SummerScape