Mahler's Third struggles to coalesce in Cadogan Hall

Von Mark Valencia, 13 November 2019

Laden, bitte warten...

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“how superbly Inkinen shaped it, like a 25-minute Dresden Amen”

Rezensierte Veranstaltung: Cadogan Hall, London, am 12 November 2019

Mahler, Symphonie Nr. 3 in d-Moll

Ester Pavlů, Mezzosopran

Pietari Inkinen, Musikalische Leitung

Brighton Festival Chorus

Tiffin Boys' Choir

Prague Symphony Orchestra

A night on the tiles in Chelsea for the Prague Symphony Orchestra

Christopher Woodley, 12th February

Glorious performances of Dvořák and Prokofiev are enriched by a sumptuous improvisation by pianist Gabriela Montero.

****1

Slatkin brings genuine Gershwin to Prague

Frank Kuznik, 25th April

Leonard Slatkin brings a New World burnish and expertise to a high-energy outing with the Prague Symphony Orchestra.

****1

A powerful commemoration at Prague Spring

Frank Kuznik, 14th May

History was never more relevant than in this musical observance of a modern political milestone.

****1

A fresh, familiar finish for Prague Spring

Frank Kuznik, 4th June

Conductor Tomáš Netopil reprises the spirit of the festival and adds a modern burnish with an energetic performance of a smart, satisfying program.

****1

Tchetuev, Förster and the Prague Symphony Orchestra at Colston Hall, Bristol

Alexandra Hamilton-Ayres, 14th November

For this concert the Prague Symphony Orchestra brought their classical music heritage overseas to Colston Hall. The programme gave us a taste of composers close to the orchestra’s homeland, providing a delightful evening of luxury – in music and in dress code.

****1

The spirit of music-making: Elgar at The Anvil

Eleanor Knight, 8th February

An afternoon that belongs to the exuberant partnership of the Royal Philharmonic Concert Orchestra, the Brighton Festival Chorus and the spirit of music-making everywhere.

***11

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.