Le Mariage de Figaro, now a Ballet

Von Rebecca Galloway, 02 Mai 2017

Laden, bitte warten...

Veranstaltung anzeigen

“the soloists shone in their respective parts, with clean technique and strong acting throughout”

Rezensierte Veranstaltung: Place des Arts: Salle Wilfrid-Pelletier, Montreal, am 26 April 2017

Le Mariage de Figaro (Victor Yaremenko)

National Ballet of Ukraine

Ophélie steals the show in Opéra de Montréal's Hamlet

Ian Cochrane, 16th November

Sarah Dufresne dazzles as Ophélie in Opéra de Montréal's Hamlet along with mezzo Karine Deshayes and the Orchestre Métropolitain conducted by Jacques Lacombe.

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Eugène Onéguine à l'Opéra de Montréal : de l'inconvénient d'être aimé

Emmanuel Bernier, 14th September

Étienne Dupuis et Nicole Car ont remporté tous les suffrages dans les deux rôles principaux de l'opéra Eugène Onéguine à l'Opéra de Montréal, dans une production à peu près sans faille.

*****

Swan Lake: if it ain't broke, don't fix it

Rebecca Galloway, 21st February

There’s a good reason Swan Lake is a box office blockbuster. Not only is it “famous” in the sense that even ballet neophytes know all about it, Swan Lake is a seriously meaty ballet with a narrative arc that offers tension-filled dynamics, a luscious score by Tchaikovsky and one of the most famous tragic love stories of all time.

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A Christmas miracle: Les Grands Ballet’s updated Nutcracker

Rebecca Galloway, 15th December

Ballet companies around the world are in the thick of Nutcracker season right now, and many are grappling with some surprisingly meaty issues at the heart of this light, sugary ballet

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Les Grands taps into the emotional depths of Lady Chatterley's Lover

Rebecca Galloway, 4th October

Les Grands Ballets Canadiens has brought a brand new piece to the stage; a neo-classical adaptation of D.H. Lawrence’s controversial novel, Lady Chatterley’s Lover.

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An evening of stars in Montreal

Rebecca Galloway, 7th June

It’s the end of the 17/18 season for most ballet companies and for many, this means rounding off with a glitzy gala night. I feel these performances always go in one of two directions: they’re either a Greatest Hits or a bit of a patchwork quilt.

***11

Weitere Kritiken...

Rebecca Galloway

Rebecca Galloway is a New Zealand-born writer and PR consultant for arts, design and culture. She studied dance for 13 years and has a degree in Art History from Victoria University of Wellington. She has held a variety of roles for organizations including the NZ School of Dance, City Gallery Wellington and Radio NZ, and was a strategic advisor to the national arts council Creative NZ. Rebecca left New Zealand for the United States, where she worked for renowned dance festival Jacob's Pillow in Massachussetts. Eventually finding herself in Montreal she fell in love and put down roots; currently splitting her time between communications for award-winning information design studio FFunction, dance criticism for a variety of publications and improving her rather patchy French. She tweets at @rtgalloway

The National Ballet of Ukraine brings Le Mariage de Figaro to Montreal