Bachtrack logo
Termine
Alle VeranstaltungenKonzerteOperTanzKinderMeisterkurseWettbewerbeFestspiele
Kritiken
Alle KritikenKonzertkritikenOpernkritikenTanzkritiken
Artikel
Alle ArtikelReportagenInterviewsKommentarPlaylist
Neuigkeiten
Video
Video homeAlle VideosStreamsKonzerteOperTanzKinderMeisterkurseHerausgeber
Seite
Über unsKontaktVerlinkenNutzungsbedingungenCookiesDatenschutz
Young artists
Reise
TermineKritikenArtikelVideo

Matthew Bourne's Midnight Bell: a trip back in time to fog-bound Soho and Fitzrovia

Von Graham Watts, 07 Oktober 2021
Laden, bitte warten...
Veranstaltung anzeigen
“I’m sure that last orders at The Midnight Bell will not be served for a very long time”
Rezensierte Veranstaltung: Sadler's Wells Theatre, London, am 6 Oktober 2021
Programm
The Midnight Bell (Sir Matthew Bourne)
Darsteller
New Adventures
Lez Brotherston, Bühnenbild
Paule Constable, Licht
Daisy May Kemp, Tanz
Paris Fitzpatrick, Tanz
Bryony Wood, Tanz
Kate Lyons, Tanz
Glenn Graham, Tanz
Weitere Tanz Kritiken
The Red Shoes: dazzling dance drama at Sadler’s Wells
Deborah Weiss, 10th December
Stunning visually, Matthew Bourne’s The Red Shoes makes a triumphant return to Sadler's Wells, with New Adventures at the top of its game.
*****
30 years on, Bourne’s Swan Lake still shines in Amsterdam
Mark Vicente, 30th October
Thirty years after its original production, Matthew Bourne’s Swan Lake makes its return to the stage championed by an impressive ensemble of dance artists from Bourne’s own company New Adventures.
*****
Matthew Bourne’s The Midnight Bell: emotionally compelling
Amanda Jennings, 12th June
In The Midnight Bell, Sir Matthew Bourne has produced some of his best choreography, loose and free-flowing but tense with desire and mixed with dread.
****1
Matthew Bourne's Swan Lake: breathtakingly clear action
Amanda Jennings, 12th December
Bourne has created an extraordinary legacy.  His Swan Lake will remain relevant for generations to come.
****1
Matthew Bourne's Romeo and Juliet: a 21st century love story
Naomi Mori, 10th April
Sir Matthew Bourne’s New Adventures brought its groundbreaking Romeo and Juliet to Tokyo for the first time and wowed the audience with its magical storytelling.
*****
Matthew Bourne's Edward Scissorhands: a huge cut above average
Deborah Weiss, 13th December
Bourne's Edward Scissorhands may not have quite the dramatic impact of his Romeo and Juliet or Swan Lake, but there is much to applaud and enjoy.
****1
Weitere Kritiken...
Kritiken von
Bryony WoodDaisy May KempGlenn GrahamKate LyonsLez BrotherstonNew AdventuresParis FitzpatrickPaule ConstableSir Matthew BourneTerry DaviesThe Midnight Bell
Verwandte Artikel
Loading image...
Auf der Suche nach einer neuen Balance in Wien: Alessandra Ferri
Loading image...
Warum wir klassisches Ballett noch immer brauchen: Darcey Bussell, Cynthia Harvey und Aaron S. Watkin im Gespräch
Loading image...
Der Alltag einer Ballerina: ein Interview mit Deborah Weiss
Vorhang auf für die Spielzeit 2018/19 an der Bayerischen Staatsoper
Mehr von Graham Watts
Loading image...
Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality
Loading image...
Paco Peña Flamenco Dance Company in Solera: sensational and sensual at Sadler's Wells
Loading image...
The Royal Ballet’s Mayerling: violent, feral, tortured dance
Loading image...
Alexander Whitley: the cutting edge of dance and technology at Sadler’s Wells East
Graham Watts
Graham Watts
Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.