A remarkable Mahler 4 from the Philadelphia Orchestra

Yannick Nézet-Séguin, Pretty Yende and the Philadelphia Orchestra

Ricardo Morales and Yannick Nézet-Séguin

Von Edward Sava-Segal, 15 Dezember 2022

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Carnegie Hall: Stern Auditorium, New York City, am 13 Dezember 2022

Xi, Ensō (NY Premiere)

Mozart, Klarinettenkonzert in A-Dur, KV622

Mahler, Symphonie Nr. 4 in G-Dur

The Philadelphia Orchestra

Yannick Nézet-Séguin, Musikalische Leitung

Pretty Yende, Sopran

Ricardo Morales, Klarinette

Entdeckungsreise Florence Price mit Nézet-Séguin beim Musikfest Berlin

Christoph Wurzel, 1st September

Zwei starke Frauen der Musik traten beim Musikfest Berlin im Konzert des Philadelphia Orchestra hervor: als Solistin Lisa Batiashvili und als Komponistin Florence Price.

*****

Marsalis und Gonzalez-Granados: Traumpaar auf dem Konzertbildschirm

Michael Klier, 12th November

Der ungekrönte Star des Abends war Branford Marsalis, der träumerisch mit Glasunows sehnsuchtsvollen Melodien verzzauberte.

****1

Alsop conducts a substitute Marsalis symphony at Carnegie Hall

David Wolfson, 29th May

The premiere of Wynton Marsalis’ Symphony no. 5 is postponed, substituted by selections from his Jungle Symphony, along with a disappointing Beethoven’s Seventh at Carnegie Hall.

***11

Philadelphia Orchestra debuts Tyshawn Sorey’s static Piano Concerto

Cameron Kelsall, 15th May

Yannick Nézet-Séguin leads the premiere of For Marilyn Crispell alongside the 1873 version of Bruckner’s “Wagner Symphony”, the Third.

***11

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Energy, precision and drama from the Philadelphia Orchestra

Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

****1

Weitere Kritiken...

Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

A remarkable Mahler 4 from Nézet-Séguin and the Philadelphia Orchestra at Carnegie Hall