Tender and mischievous: Ottensamer in London

Von Elisabeth Schwarz, 08 Juli 2017

Laden, bitte warten...

Veranstaltung anzeigen

“you could almost feel the flowery melody wafting away like fragrance”

Rezensierte Veranstaltung: Wigmore Hall, London, am 6 Juli 2017

Weber, Grand Duo Concertant in E flat major, Op.48

Baermann, Clarinet Quintet no. 3 in E flat major Op 23: Adagio

Beethoven, Variations in C major on "Là ci darem la mano" from Mozart's Don Giovanni, WoO 28

Mahler, Rückert-Lieder: Ich bin der Welt abhanden gekommen

Mahler, Des Knaben Wunderhorn: Rheinlegendchen

Cimarosa, Oboe Concerto in C major (Arr Arthur Benjamin)

Brahms, Wie Melodien zieht es mir (As If Melodies Were Moving), Op.105 no.1

Bassi, Fantaisie brillante on Verdi's Rigoletto. for Clarinet and Piano

Andreas Ottensamer, Klarinette

José Gallardo, Klavier

Beethoven, Schubert und eine Gänsemutter an der Festival Academy Budapest

Rolf Kyburz, 11th June

Das Kelemen-Quartett überzeugte mit leichter Artikulation, einem weichen Ton und ausgezeichneter, sprechender Agogik und Dynamik, perfekter Koordination. Es agierte aus einem Geist, mit einer Seele.

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Through the Eyes of the Cello: Music Revisited

Megan Beynon, 28th June

Each piece in Nicolas Alstaedt and José Gallardo's programme was re-imagined for the cello as a direct response to existing musical material. The original music either came from a different genre, or was composed for a different instrument. Four significant works in the cello repertoire emerged.

Trio infernal: Yuja Wang, Andreas Ottensamer und Daishin Kashimoto

Sebastian Urmoneit, 10th April

Das Trio begeistert im Kammermusiksaal der Philharmonie mit Chopin, Strawinsky und Debussy.

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Filmmusikalische Klassik? - Das WKO in München

David Renke, 11th December

Gemeinsam mit Klarinettist Andreas Ottensamer schaffte das Württembergische Kammerorchester eine gelungene Verbindung aus „filmmusikartiger“ und großer Klassik, von Rota bis Mozart.

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Sublime Mozart from Ottensamer and the Schumann Quartett at Klosters

Roy Westbrook, 28th July

These charming miniatures sounding overparted snatched from domestic service and pressed into public performance.

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La jovial belleza atemporal de Brahms, Dvořák y Kodály con la OEX

Andrea Lorenzo Lancho, 26th January

La potente trasmisión técnica y vital de Braunstein, Ottensamer y la OEX surcan plenamente a Brahms, Dvořák y Kodály.

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Elisabeth Schwarz

Elisabeth is Bachtrack’s German Editor and Press Manager. After more than five years in London, she is now back in Vienna, spending more time at the opera and in cafés than her own living room. She also organises music projects for people who have experienced homelessness and works as a freelance translator and copywriter for classical music PRs.

Tender and mischievous: Andreas Ottensamer and José Gallardo shine at Wigmore Hall