Matthew Polenzani flourishes in The Art of the Song

Von Rebecca Lentjes, 07 Februar 2015

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Lincoln Center: Alice Tully Hall, New York City, am 4 Februar 2015

Beethoven, Adelaide, Op.46

Liszt, Ausgewählte Lieder

Ravel, Cinq mélodies populaires grecques

Satie, 3 mélodies: La statue de bronze

Satie, 3 mélodies: Daphénéo

Satie, 3 mélodies

Barber, Hermit Songs, Op.29

Hahn, Venezia: La barcheta

Bridge, Love went a-riding

Matthew Polenzani, Tenor

Julius Drake, Klavier

Ian Bostridge bringt Krieg in all seinen Facetten nach Köln

Cristina Burack, 7th January

Trotz räumlicher Herausforderungen zeigt der Tenor Ian Bostridge mit dem hervorragenden Julius Drake am Klavier warum er als Meister der Lieder gilt.

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Les péchés capiteux d'Axelle Fanyo et Fleur Barron à l'Athénée

Jean-Pierre Rousseau, 16th February

Les deux chanteuses ont proposé un panorama innovant des sept péchés capitaux à travers les styles et les cultures, avec la complicité unificatrice de Julius Drake au piano.

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Le Voyage d’hiver de Bostridge, Drake et Warner pétrifie l’Athénée

Pierre Michel, 20th November

Ian Bostridge et Julius Drake proposent une interprétation exceptionnelle du cycle schubertien, sublimée par la mise en scène de Deborah Warner et les lumières de Jean Kalman, jusqu'à l'énigme finale.

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Bumpy love songs from Roderick Williams and Julius Drake at PCMS

Cameron Kelsall, 12th February

A fully produced performance of Brahms' Die schӧne Magelone in Philadelphia, complete with on-stage narrator and bespoke drawings, proved less than the sum of its parts.

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Fauré Song Gala a showcase for the composer's mélodies

Mark Valencia, 13th September

Fauré was the finest of French songwriters. Stéphane Degout and Véronique Gens shine in a full-length evening in a packed Wigmore Hall.

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Gerald Finley and Julius Drake bring Night and Day to London

Mark Valencia, 24th November

Heinrich Heine settings by Schumann and Schubert are counter-balanced by Duparc and Cole Porter in a Temple Song recital reflecting on night and day.

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Weitere Kritiken...

Rebecca Lentjes

Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.

Matthew Polenzani and Julius Drake flourish in The Art of the Song at Lincoln Center