Prom 14: Haydn's Creation, fresh as a fragrant bouquet

Von Stephen Pritchard, 30 Juli 2019

Laden, bitte warten...

Veranstaltung anzeigen

“tangy, vibrato-less strings and crisper, harder-edged woodwind”

Rezensierte Veranstaltung: Royal Albert Hall, London, am 29 Juli 2019

Haydn, The Creation (sung in German)

Sarah-Jane Brandon, Sopran

Benjamin Hulett, Tenor

Christoph Pohl, Bariton

BBC Proms Youth Choir

BBC Philharmonic Orchestra

Omer Meir Wellber, Musikalische Leitung

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

John Storgårds leads the BBC Philharmonic through Shostakovich

Rohan Shotton, 15th November

The BBC Phil's chief conductor led a relentless account of Shostakovich's Tenth Symphony, paired with Dvořák’s Cello Concerto.

****1

Thunderous Mahler from Elena Schwarz and the BBC Philharmonic

Rohan Shotton, 8th November

Elena Schwarz conducts the BBC Philharmonic Orchestra in Mahler's First Symphony, Debussy's La Mer and a rare outing for a trombone concerto.

****1

Weitere Kritiken...

Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.