Fresh and vital performances from the Saint Paul Chamber Orchestra

Von Phillip Nones, 31 März 2019

Laden, bitte warten...

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“impressively aggressive in how they approached the contrapuntal interweaving of themes”

Rezensierte Veranstaltung: Ordway Center for the Performing Arts: Concert Hall, Saint Paul, am 30 März 2019

Schubert, Rosamunde, D.797: Ballet music

Schubert, Rosamunde, D797: Entr´acte Nr. 1

Bach, Doppelkonzert für 2 Violinen in d-Moll, BWV1043

Mendelssohn Bartholdy, Symphonie Nr. 1 in c-Moll, Op.11

Maureen Nelson, Violine

Kyu-Young Kim, Violine

Saint Paul Chamber Orchestra

Jonathan Biss and the Saint Paul Chamber Orchestra explore Beethoven

Phillip Nones, 17th March

Jonathan Biss and the Saint Paul Chamber Orchestra explore Beethoven from two different angles – the early 19th and 21st centuries.

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A passionate Beach Piano Quintet

Phillip Nones, 18th March

The musically meaty Piano Quintet of Amy Beach was the centerpiece of a varied program of works by women composers.

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Bach's Brandenburgs shine in the Saint Paul Chamber Orchestra's holiday musical offering

Phillip Nones, 10th December

Continuing a decades-long holiday season tradition, the SPCO presents five of Bach's six Brandenburg Concerti in performances brimming with energy and élan.

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Creation on the quick: masterpieces composed in a hurry from the Saint Paul CO

Phillip Nones, 1st October

Delivering winsome interpretations along with precision ensemble, the "conductorless" SPCO presents two youthful Schubert and Britten masterpieces that were created by their composers in mere days.

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Saint Paul Chamber Orchestra inspires in Minnesota

Phillip Nones, 8th October

The Saint Paul Chamber Orchestra delivers a thrilling account of Schubert's Second Symphony, while pianist Jeremy Denk inspires in Mozart and chamber works by Schumann and Kurtág.

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Lucas Debargue beim Zürcher Kammerorchester: ein Pianist mit Zukunft

Thomas Schacher, 21st April

Seit dem „Skandal“ um seinen vierten Platz beim Tschaikowsky-Wettbewerb im Jahr 2015 geht die Karriere des französischen Pianisten steil aufwärts. In Zürich präsentiert er sich mit seinem Lieblingskomponisten Miłosz Magin.

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Weitere Kritiken...

Phillip Nones

Phillip Nones studied piano from age six, also playing percussion in educational and civic groups before moving to a rural area of the USA in 1990, where performance opportunities were few. Recently he has started performing again, participating in “side-by-side” orchestra performances and playing percussion in the World Doctors' Orchestra. His personal collection of music includes over 5,000 classical albums in all formats (CDs, LPs, 78s), plus downloads. In his professional life, he heads up a marketing communications firm in the state of Maryland. He blogs about the French composer Florent Schmitt here.