Six singers in a chord: Stockhausen’s Stimmung at Kings Place

Von Matthew Rye, 10 Februar 2018

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“time stood still yet flew by”

Rezensierte Veranstaltung: Kings Place: Hall One, London, am 9 Februar 2018

Stockhausen, Stimmung

Theatre of Voices

Magnífico homenaje a Arvo Pärt con Theatre of Voices

Esther Martin, 13th October

Theatre of Voices y el Cuarteto de Cuerda de la Orquesta Sinfónica de la Radio Danesa con Paul Hillier en la dirección ofrecieron un introspectivo concierto para celebrar al compositor Arvo Pärt.

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Pablo Heras-Casado: between the avant-garde and neoclassicism in Rome

Alissa Balocco, 9th March

The conductor directs the Accademia Nazionale di Santa Cecilia and Theatres of Voices in contrasting symphonies by Berio and Stravinsky.

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The nô needs Kaija to win : Only The Sound Remains laisse Garnier sans voix

Suzanne Lay-Canessa, 23rd January

Cette adaptation par Ezra Pound de deux pièces de théâtre nô, devient dans les mains de Kaija Saariaho un véritable manifeste d’épure théâtrale et de poésie musicale.

*****

Theatre of Voices stupefies with Stockhausen’s Stimmung

Jacob Slattery, 21st February

Composed for six amplified voices, Karlheinz Stockhausen’s seldom performed Stimmung evokes a meditative atmosphere through esoteric mysticism and complex serial methods of aleatoric construction.

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London Sinfonietta and Theatre of Voices play Pelle Gudmundsen-Holmgreen in Huddersfield

Sam Wigglesworth, 25th November

There was a strong focus on Danish composers at this year’s Huddersfield Contemporary Music Festival; works by the young and audacious Simon Steen-Andersen featured in several concerts, whilst the Arditti Quartet’s performance of Hans Abrahamsen’s Fourth Quartet proved to be the highlight of the opening weekend.

*****

Erlösung und musikalisches Koffein: Nelsons dirigiert Mahler 8 in Wien

Mark Pullinger, 10th May

Sonntagmorgen mit Mahler im Wiener Konzerthaus: Andris Nelsons beschließt seinen Symphoniezyklus mit den Wiener Philharmonikern auf überwältigende Weise.

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Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).