A remarkable Tchaikovsky Polish in Warsaw

Von Jonathan Sutherland, 19 August 2015

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Warsaw Philharmonic Concert Hall, Warsaw, am 17 August 2015

Tschaikowsky, Klavierkonzert Nr. 2 G-Dur, Op. 44

Chopin, Mazurka in fis-Moll, Op.63 Nr.2

Chopin, Waltz in F major "Grande Valse Brillante", Op.34 no.3

Tschaikowsky, Symphonie Nr. 3 in D-Dur "Polnisch", Op.25

Russisches Nationalorchester

Mikhail Pletnev, Musikalische Leitung

Lukas Geniušas, Klavier

Natürlich inspiriert: Lugansky und Pletnev in Luzern

Rolf Kyburz, 30th November

Rachmaninows Drittes Klavierkonzert war bei Nikolai Lugansky in seiner natürlichen Musikalität phänomenal, und mit Skrjabins Zweiter Symphonie erlaubte das Russische Nationalorchester unter Mikhail Pletnev die Begegnung mit selten aufgeführter Spätromantik.

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Kompromisslose Romantiker

Benedikt Zacher, 15th April

Eindrucksvoll gestaltet der eingesprungene Alexander Sladkovsky Tschaikowskys letztes Werk, nachdem Jahrhundertcellist Mischa Maisky das Publikum in gewohnt eigenwilliger Weise in den Bann gezogen hat.

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A Rachmaninov evening with the Russian National Orchestra

Edward Sava-Segal, 20th February

A marvelous musician, Mikhail Pletnev, conveyed a fresh perspective on the inner works of Rachmaninov's Second Piano Concerto.

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RNO and Andreescu impress at Enescu Festival

Aksel Tollåli, 5th September

Following some rhythmically challenged Ginastera, Horia Andreescu and the Russian National Orchestra impress with confidently played MacMillan and Tchaikovsky.

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RNO and Pletnev disappoint in Enescu and Prokofiev

Aksel Tollåli, 4th September

The muscular piano playing of Nikolai Lugansky could not save the Russian National Orchestra’s shoddy Enescu and Prokofiev.

**111

Le Russian National Orchestra dirigé par Pletnev à la Philharmonie : une fabuleuse soirée

Julie Jozwiak, 15th May

Le Russian National Orchestra était à la Philharmonie de Paris le lundi 15 mai 2017, sous la direction de Mikhail Pletnev. C’est un compositeur polonais peu connu qui ouvrait le programme – à savoir Mieczyslaw Karlowicz ; la suite de la soirée, elle, était bel et bien russe, avec un concerto de Chostakovitch et une symphonie de Tchaïkovski.

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Weitere Kritiken...

Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.

A remarkable Tchaikovsky Polish in Warsaw at the Chopin Festival