WNO tackles Vêpres but the vocal fireworks fail to ignite

Von Mark Pullinger, 09 Februar 2020

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Veranstaltung anzeigen

“Carlo Rizzi drew fantastic, red-blooded playing from the Orchestra of Welsh National Opera”

Rezensierte Veranstaltung: Wales Millennium Centre, Cardiff, am 8 Februar 2020

Verdi, Les Vêpres siciliennes (I vespri siciliani)

Welsh National Opera

Carlo Rizzi, Musikalische Leitung

Sir David Pountney, Regie

Raimund Bauer, Bühnenbild

Marie-Jeanne Lecca, Kostüme

Giorgio Caoduro, Guy de Montfort

Jung Soo Yun, Henri

Anush Hovhannisyan, Hélène

Wojtek Gierlach, Jean Procida

Wyn Pencarreg, Bethune

Christine Byrne, Ninette

Robyn Lyn Evans, Danieli, Mainfroid

Gareth Brynmor John, Robert

Alexander Sprague, Thibault

Fabrice Kebour, Licht

Caroline Chaney, Staff director

Welsh National Opera Chorus

Welsh National Opera Orchestra

Pelléas et Mélisande

Simon Rees, 29th May

Mélisande als Lulu in David Pountneys unbefriedigender Inszenierung von Debussys Pelléas et Mélisande für die Welsh National Opera.

****1

Welsh National Opera’s Dutchman docks in Birmingham
Rohan Shotton, 7th May

This bracing performance of The Flying Dutchman is a powerful reminder of the extraordinary musical standards which are at risk in the face of WNO’s subsidy cuts.

****1

A magnificent Tosca from Welsh National Opera at the Mayflower
David Truslove, 3rd October

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw.

*****

Bancroft and BBCNOW at the Proms: a deeply satisfying Mahler 3
David Karlin, 11th August

Bancroft and the BBC National Orchestra of Wales provide a Mahler 3 of exceptional clarity and forward momentum, with terrific posthorn solos from Corey Morris and Beth Taylor an outstanding soloist.

****1

A dark and disturbing Rigoletto from WNO at the Mayflower
David Truslove, 14th November

Fine performances in a punchy new production that coats this tragic opera in a large dollop of debauchery.

****1

WNO stages Death in Venice for the first time and it’s a triumph
Mark Valencia, 7th March

Olivia Fuchs solves the problems of Britten's thorny opera in a brilliant new production that hits the heights, featuring Mark Le Brocq as earthbound scholar, Gustav von Aschenbach.

*****

Weitere Kritiken...

Kritiken von

Alexander Sprague Anush Hovhannisyan Carlo Rizzi Caroline Chaney Fabrice Kebour Gareth Brynmor John Giorgio Caoduro Giuseppe Verdi Jung Soo Yun Les Vêpres siciliennes (I vespri siciliani)Marie-Jeanne Lecca Raimund Bauer Robyn Lyn Evans Sir David Pountney Welsh National Opera Welsh National Opera Chorus Welsh National Opera Orchestra Wojtek Gierlach Wyn Pencarreg

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Welsh National Opera tackles Les Vêpres siciliennes but the vocal fireworks fail to ignite