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Victoria: Northern Ballet delivers intriguing history lesson at Sadler's Wells

Von Mark Pullinger, 30 März 2019
Laden, bitte warten...
Veranstaltung anzeigen
“Pippa Moore’s Beatrice is an observer rather than a protagonist, yet she constantly draws the eye”
Rezensierte Veranstaltung: Sadler's Wells Theatre, London, am 29 März 2019
Programm
Victoria (Cathy Marston)
Darsteller
Northern Ballet
Jonathan Lo, Musikalische Leitung
Steffen Aarfing, Bühnenbild, Kostüme
Abigail Prudames, Tanz
Pippa Moore, Tanz
Mika Akuta, Tanz
Joseph Taylor, Tanz
Mlindie Kulashe, Tanz
Sean Bates, Tanz
Alastair West, Licht
Northern Ballet Sinfonia
Weitere Tanz Kritiken
The Royal Ballet in Perspectives: a diverse and challenging triple
Amanda Jennings, 14th November
The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.
****1
Northern Ballet’s Jane Eyre: worthy of repeated viewings
Graham Watts, 22nd May
A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.
****1
The Royal Ballet: Anemoi/The Cellist a well-balanced double bill
Graham Watts, 20th October
The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 
****1
Trilogy: a brilliantly diverse triple bill
Ruth Ridgway, 16th June
Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.
****1
Ballett Zürich: Cathy Marston's The Cellist brings love and despair
Maggie Foyer, 30th April
Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense. 
****1
An expressive showcase: Northern Ballet's Contemporary Cuts
Graham Watts, 11th June
Northern Ballet demonstrate a range of qualities in a rich mix of contemporary work.
***11
Weitere Kritiken...
Kritiken von
Abigail PrudamesAlastair WestCathy MarstonJonathan LoJoseph TaylorMlindie KulasheNorthern BalletNorthern Ballet SinfoniaPhilip FeeneySean BatesSteffen Aarfing
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Mark Pullinger
Mark Pullinger
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.