Sanderling conducts seldom performed Russian scores in Winterthur

Von Edward Sava-Segal, 07 Januar 2021

Laden, bitte warten...

Rezensierte Veranstaltung: Stadthaus, Winterthur, am 6 Januar 2021

Glasunow, Solemn Overture, Op.73

Taneyev, Concert Suite for violin and orchestra, Op.28

Dvořák, Symphonie Nr. 8 in G-Dur, Op.88

Ilya Gringolts, Violine

Musikkollegium Winterthur

Michael Sanderling, Musikalische Leitung

Der Glanz der Trompete: Simon Höfele beim Musikkollegium Winterthur

Michael Vieth, 9th December

Der junge Wilde an der Trompete findet mit dem ehrwürdigen Schweizer Stadtorchester einen gut gelaunten Partner.

****1

Viva la mamma! Donizetti’s satirical farce flops in Zurich

Laura Servidei, 16th April

Mélanie Huber’s production misses the mark for Donizetti’s silly comedy, sung by a solid cast.

**111

Burlicchete, burlacchete, brignocchete, cucù: Il mondo della luna

Laura Servidei, 5th May

A successful, psychedelic production of Haydn’s masterpiece is presented with a cast of young, talented singers from the International Opera Studio in Zurich, for an evening of fun in Winterthur.

***11

In Winterthur, a Beethoven Second Symphony perfect for toasting!

Laurence Vittes, 16th December

If there had been an audience, they would have toasted the concert with the Kölsch beers the composer loved best.

*****

Anneleen Lenaerts gives a polished debut for Winterthur's new harp

Mark Pullinger, 3rd December

The Vienna Philharmonic's harpist inaugurates the new instrument at Musikkollegium Winterthur, putting it through its pace in Mozart and Debussy.

***11

Intrigue, disguise and the damnation of ageing

Sarah Batschelet, 15th May

The renowned IOS is geared to young singers of fine merit and talent. It recently premiered a new production of Rossini’s Il barbiere di Siviglia near Zurich.

***11

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.