Barbed wire fences and gas masks: Wozzeck in Sydney

Von Zoltán Szabó, 31 Januar 2019

Laden, bitte warten...

Veranstaltung anzeigen

“projections... provoke thoughts and constantly occupy the audience’s mind”

Rezensierte Veranstaltung: Sydney Opera House: Joan Sutherland Theatre, Sydney, am 30 Januar 2019

Berg, Wozzeck

Opera Australia

Andrea Molino, Musikalische Leitung

William Kentridge, Regie

Sabine Theunissen, Bühnenbild

Greta Goiris, Kostüme

Michael Honeyman, Wozzeck

Lorina Gore, Marie

John Longmuir, Hauptmann

Richard Anderson, Doktor

John Daszak, Tambourmajor

Dominica Matthews, Margret

Virgilio Marino, Andres

Adrian Tamburini, Erster Handwerksbursche

Sitiveni Talei, Zweiter Handwerksbursche

Shanul Sharma, Narr

Luc De Wit, Regie

Opera Australia Chorus

Opera Australia Orchestra

Urs Schönebaum, Licht

Catherine Meyburgh, Video

Terracinis Antwort für die Kritiker

Jeremy Eccles, 21st January

Hätte Großbritannien Spaß an The Rabbits? Denn so allegorisiert die neue, australische Familienoper die Briten der Kolonialzeit, die in diese herrenlose Welt Downunder kamen und die Existenz der australischen Ureinwohner leugnete - die in dieser Oper in Gestalt von Beuteltieren auftreten.

***11

Himmlische Latonia Moore in Aida

David Larkin, 27th March

Kamele, Feuerwerk und ein riesiger Kopf von Nefertiti: der Sydney Harbour-Inszenierung von Aida fehlt es nicht an Spektakel. Latonia Moore sticht in der Titelrolle heraus, mit guter Unterstützung von Miliaja Nikolic als Amneris und Michael Honeyman als Amonasro.

***11

Opera Australia’s Eugene Onegin shines musically

Sandra Bowdler, 17th March

Eugene Onegin returns to the Sydney Opera house in Kasper Holten’s slightly awkward production but the singing and orchestral playing are exemplary.

****1

Humperdinck hobbled in Opera Australia revival

Jeremy Eccles, 27th January

Elijah Moshinsky’s 33-year-old production of Hansel and Gretel hasn’t aged well.

***11

A psychological Turandot in Ann Yee's Opera Australia staging

Sandra Bowdler, 15th January

Opera Australia's new Turandot succeeds with musical, dramatic and visual values with a mix of local and imported talent.

****1

Siobhan Stagg leads a strong Marriage of Figaro revival in Sydney

Sandra Bowdler, 31st July

Siobhan Stagg is an outstanding Susanna in a strongly cast and well produced Marriage of Figaro at the Sydney Opera House

****1

Weitere Kritiken...

Zoltán Szabó

Zoltán Szabó is a cellist and musicologist. Having migrated from his native Hungary to Australia in 1985, he worked with the Australian Chamber Orchestra in Sydney until 1991, when he became Principal Cello with Opera Australia. In 2017, he was awarded with a Doctor of Philosophy degree (PhD). Currently, he is teaching music history and musicology at the Sydney Conservatorium of Music.

Barbed wire fences and gas masks: William Kentridge’s unsettling Wozzeck in Sydney