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Venue: Severance Hall, Cleveland

Kurzprofil
Adresse11001 Euclid Ave, Cleveland, OH 44106, United States
Cleveland
OH 11001
Vereinigte Staaten
EnthältReinberger Chamber Hall
Google maps41° 30' 22.852" N 81° 36' 33.610" W
Oktober 2019
MoDiMiDoFrSaSo
30010203040506
07080910111213
14151617181920
21222324252627
28293031010203
04050607080910
Abendvorstellung
Matinee
Veranstaltungstippsmehr...

ClevelandHamelin Plays Liszt

Rachmaninow, Liszt, Nielsen
The Cleveland Orchestra; Dima Slobodeniouk; Marc-André Hamelin

ClevelandMitsuko Uchida Plays Schubert

Schubert
Dame Mitsuko Uchida, Klavier

ClevelandBeethoven's Eroica

Schostakowitsch, Beethoven
The Cleveland Orchestra; Jakub Hrůša; Sergey Khachatryan

ClevelandAdams and Mahler

Adams, Mahler
The Cleveland Orchestra; Jakub Hrůša; Joélle Harvey; Cleveland Orchestra Chorus; Cleveland Orchestra Youth Chorus; Cleveland Orchestra Children's Chorus

ClevelandHummel and Haydn

Schubert, Hummel, Haydn
The Cleveland Orchestra; Nicholas McGegan; Michael Sachs

ClevelandYuja Wang Plays Rachmaninov

Prokofjew, Rachmaninow, Poulenc, Ravel
The Cleveland Orchestra; Lorenzo Viotti; Yuja Wang

ClevelandTchaikovsky's Sleeping Beauty

Berlioz, Saint-Saëns, Tschaikowsky
The Cleveland Orchestra; Nikolaj Szeps-Znaider; Jean-Yves Thibaudet

ClevelandCleveland Orchestra Christmas Concert

The Cleveland Orchestra; Richard Kaufman; Cleveland Orchestra Chorus; Cleveland Orchestra Children's Chorus; Cleveland Orchestra Youth Chorus; University of Akron Chamber Singers
Neue Kritikenmehr...

Gilbert and Gerstein bring Adès' Piano Concerto to Cleveland

Alan Gilbert © Roger Mastroianni, courtesy of The Cleveland Orchestra
Under Alan Gilbert’s baton, Kirill Gerstein presented the very recent piano concerto of Thomas Adès on an otherwise conservative program of Bach and Brahms.
***11
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Franz Welser-Möst and The Cleveland Orchestra play Mahler 5

Franz Welser-Möst and The Cleveland Orchestra © Roger Mastroianni | The Cleveland Orchestra
Olga Neuwirth’s complex but arresting Masaot / Clocks Without Hands opened the program, but it was the orchestra’s Mahler’s Symphony no. 5 that the audience will remember for the overpowering effect of this performance.
*****
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Welser-Möst opens Cleveland season with Schubert and Prokofiev

Franz Welser-Möst and The Cleveland Orchestra © Roger Mastroianni, Courtesy of The Cleveland Orchestra
Franz Welser-Möst selected a Schubert symphony and the first act of Prokofiev’s Romeo and Juliet to open the Cleveland Orchestra season.
****1
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Weiss and Wosner a commanding piano duo in Cleveland recital

Shai Wosner © Marco Borggreve
Orion Weiss and Shai Wosner teamed up for thrilling accounts of pinnacles of the repertoire for two pianists by Schubert and Brahms.
****1
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Vänskä conducts Italian symphonies by non-Italians in Cleveland

Osmo Vänskä © Lisa-Marie Mazzucco
Symphonies by Barber and Mendelssohn offered two distinct portrayals of Italy in Osmo Vänskä’s Cleveland Orchestra program.
***11
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Pepe Romero highlights Cleveland Orchestra’s mostly Spanish program

Pepe Romero © Anton Goiri
Thierry Fischer led The Cleveland Orchestra in works of Bizet and Debussy flanking Rodrigo’s Concierto de Aranjuez with Pepe Romero.
***11
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Summers@Severance opens with lush Mahler and Beethoven

Franz Welser-Möst © Michael Pöhn
Welser-Möst led The Cleveland Orchestra in Mahler’s Lieder eines fahrenden Gesellen along with his own transcription for string orchestra of Beethoven’s Op.132 quartet.
***11
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Sir Simon Keenlyside masterful in songs by Sibelius in Cleveland

Sir Simon Keenlyside, Franz Welser-Möst and The Cleveland Orchestra © Roger Mastroianni | courtesy of The Cleveland Orchestra

Sibelius’s rarely performed orchestral songs received memorable performances by Keenlyside and The Cleveland Orchestra conducted by Welser-Möst. Grieg’s Peer Gynt and Strauss’s early Aus Italien filled out the program.

****1
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