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Veranstaltungsort: Teatro Comunale, Bologna

Kurzprofil
AdresseLargo Respighi 1
40126 Bologna
Emilia-Romagna
Italien
Google maps44° 29' 47.230" N 11° 21' 0.468" E
Dezember 2020
MoDiMiDoFrSaSo
30010203040506
07080910111213
14151617181920
21222324252627
28293031010203
04050607080910
Abendvorstellung
Matinee
Veranstaltungstippsmehr...

BolognaLes Étoiles

Paolo Paroni; Orchestra del Teatro Comunale di Bologna; Eleonora Abbagnato; Ashley Bouder
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Vick and Mariotti refresh Bohème in Bologna

Alessandra Marianelli (Mimì) and Matteo Lippi (Rodolfo) © Rocco Casaluci
Vick enjoys working with young singers, and in with the young second cast he is spoiled.
*****
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Bologna's Teatro Comunale scores a slam dunk

Ian Storey (Peter Grimes) © Rocco Casaluci
The Comunale had teamed up with Bologna's basketball team Virtus to create a 50%-off ticket deal aimed at drawing new audiences. The subject matter of this opera might not seem the most immediately accessible, but this was playing to capture the imaginations of opera newbies.
****1
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Intensity-laden La voix-Cav diptych in Bologna

Anna Caterina Antonacci (Elle) © Rosso Casaluci
One wonders why Emma Dante's concept, which explores the plight of women crushed by romantic catastrophes, is not done more often.
*****
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Rossini's Turk given in memory of Alberto Zedda

Hasmik Torosyan (Fiorilla) and Simone Alberghini (Selim) © Rocco Casaluci
In Livermore's staging the scheme becomes meta-cinematographic: the poet Prosdocimus here has Marcello Mastroianni's features in Fellini's film 8 ½.
***11
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Werther's middle-class dream in Bologna

Juan Diego Flórez (Werther) and Isabel Leonard (Charlotte) © Rocco Casaluci
Juan Diego Flórez plays the role for the first time on stage and it's a vocal triumph 
****1
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Elektra in Bologna

A pure and intense evening of music, which deserved the warm ovation of the audience at the end of the execution. 
****1
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Macbeth according to Robert Wilson

Thanks to Wilson, to an orchestra in great shape, and to an excellent cast, this production was a success. Everybody did his best in the orchestra and in the chorus, without disregarding the soring passages of the score.
****1
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