Ten works revealing the paradox of Chopin: a composer outwardly delicate, inwardly steely; rooted in Polish dance rhythms, yet formed in Parisian sophistication.
We sit down with two of the opera world’s leading figures, and masterminds of Brussels’ La Monnaie (De Munt) – how do they balance the competing challenges and thrills of running an opera house?
From fulfilling funerary functions, to eulogising friends and fellow artists, or lamenting the waste of war: here are some of the finest examples of music written in mourning.
Award-winning pianist Junyan Chen talks about curating this year’s Leeds International Chamber Series, making new arrangements of repertoire, and the importance of chamber music for pianists.
The NHK Symphony Orchestra’s principal flautist talks about playing Ravel’s largest orchestral work, which features virtuosic solos for players all across the orchestra.
Musicologue diplômé du CNSMD de Paris, Tristan Labouret collabore avec de nombreux artistes et institutions musicales (Printemps des Arts de Monte-Carlo, Orchestre national d'Île-de-France, Opéra Orchestre National Montpellier, festivals de musique de chambre de Deauville, Just Classik Festival…), menant des activités de médiation à destination de tous les publics. Ex-altiste toujours passionné par les répertoires chambristes et symphoniques, il occupe depuis 2018 le poste de rédacteur en chef de la partie francophone de Bachtrack.
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