Artículos de Mark Pullinger

Vladimir Jurowski conducts the London Philharmonic Orchestra in works by four Russian composers whose UK premieres were all unveiled at the Proms. 

Fiery footwork from Margarita Shrainer and Igor Tsvirko kick life into Fadeyechev’s version of Don Quixote. 

Большой, храбрый, напористый. Если вы хотите посмотреть, как танцуют балет «Спартак», к вашим услугам только одна труппа: Большой балет.

Robert Carsen's riotous production of Rinaldo returns to the Sussex Downs, a schoolboy fantasy colliding crusading knights with St Trinian's bad girls. 

In her Proms debut, Dalia Stasevska's good intentions were were not always fulfilled by the orchestra.

When Mariss Jansons was forced to withdraw from his orchestra's tour, the BRSO couldn't have found a better step-in than Yannick Nézet-Séguin.

Subtlety has no place here. Go for the explosive male dancing and two contrasting female leads.

A good, honest staging and solid singing add up to an excellent new production – its third – at Opera Holland Park. 

A terrific climax to the 2019 Pärnu Music Festival, with outstanding performances from Ain Anger and the Estonian Festival Orchestra.

Eleven conductors get to strut their stuff in an eclectic programme in Pärnu. 

Erich Korngold's luscious String Sextet provides the musical highlight of Erkki-Sven Tüür's Pärnu programme. 

In Estonia's summer capital of Pärnu, holiday spirits and family pride abound in the EFO's first concert of Paavo Järvi's festival. 

What goes on during an orchestral rehearsal? We join Paavo Järvi and the Philharmonia to find out. 

Director Louisa Muller overcomes the problems of opening a ghost story in natural daylight to deliver plenty of operatic chills. 

Barrie Kosky's divisive production returns to The Royal Opera but has lost its zing. 

Russian mezzo-soprano Aigul Akhmetshina discusses the role of Carmen and reflects on the fantastic opportunities fate has thrown her way since joining The Royal Opera's young artist programme.

Dmitri Tcherniakov's staging turns Rimsky-Korsakov's opera into storytelling for an autistic boy, but does he deliver a fairy tale ending? 

The British tenor reflects on his time as a Jette Parker Young Artist and the swerve in direction his career has taken since.

Despite the excellent playing of the Britten Sinfonia, Anna Morrissey’s flawed production disappoints. 

Tchaikovsky’s First Piano Concerto is every inch the warhorse asScheherazade, yet with Ott there was never a sense of routine.