Artículos de Hilary Stroh

Paul Jacobs bring Rouse's Organ Concerto to DC.

Kaneko's vivid designs grace this charming Butterfly. 

Open-ended works provide different angle on Ballet across America

Mason Bates' Symphony Liquid Interface takes over the stage in Washington DC. 

Misty Copeland curates the first of a richly diverse programme celebrating American dance

Another evocative salute to Slava in Washington DC/

A successful program of Kylian, Peck and Forsythe. 

John Neumeier’s 2005 ballet The Little Mermaid is an exquisitely layered story, told with profound psychological insight, and a burning intensity.

Washington Ballet's Giselle under the new directorship of Julie Kent

Washington National Opera continues its cycle of social justice operas.

Captiavting European musical narratives in Washington DC.

Mad Hatters in Alvin Ailey's Gala performance

Ratmansky's outrageously charming screwball comedy for the Mariinsky

A first performance of Weinberg for the NSO and a thoroughly fearsome Shostakovich Eighth.

American Ballet Theater's Swan Lake is enjoyable

Salvation sweetness and light in DC's annual Messiah.

The Washington Performing Arts celebrates its 50th anniversary this year – cause for celebration indeed – and its opening concert showcased one of the world’s finest orchestras, the Royal Concertgebouw, under the baton of Semyon Bychkov.

A spirited, fearless fantasy in Cincinnati Ballet's Nutcracker. 

The Politics of the New World Symphony: Euro-American Relations.

Robert Longbottom's take on Donizetti's Daughter of the Regiment captures the spirit of bel canto in Washington DC.