Nuestra política de privacidad se actualizó por última vez el lunes 24 junio 2019Consultar aquíEliminar
Bachtrack logo
Home
Programación
Críticas
Artículos
Video
Site
Inicio ópera
EventosCríticasArtículos

Die Sache MakropulosNew production

MapaComprar
OpernhausFalkenstrasse 1, Zürich, 8008, Suiza
Septiembre 22 19:00, septiembre 25 19:00, septiembre 28 19:00, octubre 06 20:00, octubre 09 19:00, octubre 13 14:00, octubre 17 19:30, octubre 22 19:00
Intérpretes
Zurich Opera
Jakub HrůšaDirector
Dmitri TcherniakovDirector de escena, Diseño de escena
Elena ZaytsevaDiseño de vestuario
Evelyn HerlitziusSopranoEmilia Marty / Elina Makropoulos
Sam FurnessTenorAlbert Gregor
Tomás TómassonBajoDr Kolenatý
Kevin ConnersTenorVítek
Deniz UzunMezzosopranoKristina
Scott HendricksBarítonoBaron Jaroslav Prus
Spencer LangTenorJanek
Martin ZyssetTenorCount Hauk-Šendorf
Katia LedouxContraltoChambermaid
Ruben DroleBarítonoA Stage Technician
Irène FriedliSopranoA Cleaning Woman
Gleb FilshtinskyDiseño de iluminación
Tieni BurkhalterVideo Artist
Beate BreidenbachDramaturgia
Ernst RaffelsbergerDirector del coro
Zusatzchor der Oper Zürich
Zurich Opera Chorus
Philharmonia Zürich

To outwit death and become immortal – this is a dream as old as the history of humanity. But is eternal life really desirable? Is it not precisely the finite nature of life that makes it so precious? Either way, this is the experience of Emilia Marty, on whom an elixir to prolong life has been tested – and who has now lived in different countries under changing names (she was originally called Elina Makropulos) and identities for 337 years. The effect of the elixir begins to wear off, and initially, «Marty» – as the singer is also admiringly called – is willing to use any means to get her hands on the lost recipe for the potion. She also deploys her irresistible erotic appeal for the purpose, and men of all ages lose their heads for her by the dozen, while she remains completely unmoved. However, once the recipe is finally back in her possession, she realises that she no longer wants to live at all: «This terrible solitude! You’re weary of the good, weary of the bad… And you feel that your soul is dead inside.» Janáček first encountered Karel Čapek’s comedy Věc Makropulos(The Makropulos Affair) in 1922. At the time, the composer was fascinated by the icy coldness of the 337-year-old beauty, but in the course of his work on the opera he began to feel sympathy for the heroine of the title, who had had to live and bear her infinite isolation for so long. «I would like everyone to love her in the end,» he wrote. «For me, nothing works without love.»

This production will be directed by Dmitri Tcherniakov, who has already presented exciting interpretations of Janáček’s Jenůfa and Debussy’s Pelléas et Mélisande in Zurich. Czech conductor Jakub Hrůša, a Janáček expert, will be débuting at Zurich Opera House. Furthermore, there will be reunion with Evelyn Herlitzius, who has already captivated Zurich audiences with her intense portrayal of Elektra.

Mobile version