Labyrinth: Tamara Stefanovich in Recital

Guildhall School of Music & Drama: Milton Court Concert HallSilk Street, Barbican, Londres, Greater London, EC2Y 8DT, Reino Unido

Fechas/horas en zona horaria de London

jueves 19 febrero 2026

19:30

Programa

Bach, Johann Sebastian (1685-1750)	Capriccio sopra la lontananza del suo fratello dilettissimo, (On the departure of a most beloved brother), BWV992
Kurtág, György (n. 1926)	Eight Piano Pieces, Op.3
Kurtág, György (n. 1926)	La fille aux cheveux de lin - enragée
Debussy, Claude (1862-1918)	Préludes, Bk 1 no. 8: La Fille aux cheveux de lin (The girl with the flaxen hair)
Kurtág, György (n. 1926)	Birthday Elegy for Judit - for the second finger of her left hand
Kurtág, György (n. 1926)	Játékok: Apple blossom
Liszt, Franz (1811-1886)	Nuages gris (Grey Clouds), S 199
Liszt, Franz (1811-1886)	Unstern! Sinistre, disastro, S 208
Kurtág, György (n. 1926)	Játékok: Adoration, Adoration, Accursed Desolation
Kurtág, György (n. 1926)	Játékok: Doina
Debussy, Claude (1862-1918)	Préludes, Bk 1 no. 6: Des Pas sur la neige
Debussy, Claude (1862-1918)	Étude no. 6 pour les huit doigts
Debussy, Claude (1862-1918)	Etude no. 11 pour les arpèges composés
Kurtág, György (n. 1926)	Perpetuum mobile (objet trouvé)
Kurtág, György (n. 1926)	String quartet "12 Microludes" (Zwölf Mikroludien), Op.13
Kurtág, György (n. 1926)	Antiphony in Fis-Dur
Kurtág, György (n. 1926)	Les Adieux, Op.12 no.7
Bach, Johann Sebastian (1685-1750)	Die Kunst der Fuge (The Art of Fugue), BWV1080, Contrapunctus I
Kurtág, György (n. 1926)	A Ligatura for Màrta
Bach, Johann Sebastian (1685-1750)	Die Kunst der Fuge (The Art of Fugue), BWV1080, Contrapunctus XIV

Intérpretes

Tamara Stefanovich

Piano

Tamara Stefanovich presets Labyrinth - a curated sequence including works by JS Bach (Art of Fugue), Claude Debussy (Preludes), Franz Liszt and Gyorgy Kurtag (Jatekok).

The programme starts from highly complex works through more sparse, but not less quizzical music, and ends with Bach's Fugues.

Stefanovich, one of the leading performers of contemporary piano repertoire, wanted to find a way of highlighting Kurtag's music as an intention to be lost, so one has to find a way out and forge a new language. Labyrinth is an analogy for a life path, a puzzle to be solved.

'The colossal energy of Stefanovich’s performance was hugely impressive' (The Telegraph).

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